Adele Roberts, Stuart Winters's 'Beast Mode' had a release date set for July 28, 2020. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Adele Roberts's "Hype" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Beast Mode is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Beast Mode by Adele Roberts, Stuart Winters to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I See You | Richie Smith, Adele Roberts | B♭ Minor | 7 | 3A | 118 BPM | ||
| How Could I Be so Reckless | Devin Hoffman, Irving Contour | G Minor | 2 | 6A | 74 BPM | ||
| All In | The Wildcardz, dazeychain | A Major | 4 | 11B | 140 BPM | ||
| The Fire in Our Blood | ITG Studios | D Minor | 5 | 7A | 74 BPM | ||
| Pretty For A Liar | Appears Next, The Haus Of Creativity | E Major | 6 | 12B | 120 BPM | ||
| Sand In Your Hair | Sacha James Collisson, Adele Roberts, Adam James Lopez Martin | D♭ Major | 8 | 3B | 184 BPM | ||
| Stranger | Gracie and Rachel | G Minor | 7 | 6A | 92 BPM | ||
| Drown You Out | Darius Behdad, Adriana Stone | G Major | 6 | 9B | 120 BPM | ||
| Endless Time | Adele Roberts, Peter Carrow | C Major | 7 | 8B | 118 BPM | ||
| I Cannot Give Up | PSM | D Minor | 3 | 7A | 76 BPM | ||
| GO | Sacha James Collisson, Adele Roberts | D♭ Major | 8 | 3B | 184 BPM | ||
| Saving My Skin | Malory | F Major | 8 | 7B | 108 BPM | ||
| Glimmer | Nicole Serrano | E Major | 6 | 12B | 94 BPM | ||
| Play with Me | Quentin Travade, Louis Horhan | A Minor | 6 | 8A | 136 BPM | ||
| Promises | Josh Powell, Helen Stanley, Adele Roberts | D♭ Major | 0 | 3B | 80 BPM | ||
| We Are Golden | Raphael Lake, Aaron Levy | A Minor | 7 | 8A | 130 BPM | ||
| The Butterfly Effect | Orlando Roberton, Adele Roberts, The Octopus | C Minor | 1 | 5A | 128 BPM | ||
| Talk About This | James Hutchinson, Adele Roberts | C Minor | 9 | 5A | 121 BPM | ||
| Gold | Tolan Shaw | D♭ Minor | 6 | 12A | 81 BPM | ||
| Didn't Wanna Wait | Jerry Thomas, Margot Maxine, Ships | F Minor | 6 | 4A | 139 BPM | ||
| Our Kingdom Falls | Nicholas Kingsley, Hannah Hart | C Minor | 6 | 5A | 116 BPM | ||
| The Whole Wide World | BB St. Clair | B♭ Minor | 7 | 3A | 100 BPM | ||
| Dusk through a Lens | Todd Baker, Adele Roberts | C Minor | 8 | 5A | 80 BPM | ||
| My City | Robert Altman, Lyndrey Holder, Adele Roberts | F Minor | 9 | 4A | 97 BPM | ||
| Everytime | David Gerard Lawrence, Jasmine North | F♯ Major | 3 | 2B | 128 BPM |