John Gorka's 'The One That Got Away' had a release date set for 1990. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Gorka's "Land of the Bottom Line" album is number 4 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, The One That Got Away's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of The One That Got Away by John Gorka to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Power and Glory | Dave Carter, Tracy Grammer | C Major | 1 | 8B | 79 BPM | ||
| Hold On | John Gorka | B♭ Major | 3 | 6B | 142 BPM | ||
| Northern Cross | Cry Cry Cry | B♭ Major | 0 | 6B | 135 BPM | ||
| Reunion Hill | Richard Shindell | G Major | 4 | 9B | 168 BPM | ||
| Memphis | Cry Cry Cry | C Major | 1 | 8B | 119 BPM | ||
| Grey and Green | Cheryl Wheeler | F♯ Major | 3 | 2B | 86 BPM | ||
| Red Red Rose | David Mallett | B♭ Major | 2 | 6B | 93 BPM | ||
| Dimming Of The Day | Bonnie Raitt | A♭ Major | 0 | 4B | 178 BPM | ||
| Blue Chalk | John Gorka | C Major | 3 | 8B | 148 BPM | ||
| Next Best Western | Richard Shindell | G Major | 4 | 9B | 166 BPM | ||
| Echoes in the Hall | Auris Serranot | E♭ Major | 3 | 5B | 121 BPM | ||
| Adam's Song | Rodney Crowell | B♭ Major | 2 | 6B | 78 BPM | ||
| The Matador | Gretchen Peters | C Major | 1 | 8B | 82 BPM | ||
| Summer Song | Caroline Herring | C Major | 3 | 8B | 132 BPM | ||
| Lay Low | Gretchen Peters | G Major | 2 | 9B | 154 BPM | ||
| Only God Can Save Us Now | Over the Rhine | D Major | 4 | 10B | 72 BPM | ||
| Because I Love You | Doug Paisley | C Major | 3 | 8B | 97 BPM | ||
| Annie's Lover | Dave Carter, Tracy Grammer | C Major | 1 | 8B | 79 BPM | ||
| Love and Gasoline | Jenny Reynolds | A Minor | 4 | 8A | 140 BPM | ||
| Softness Remains | Matilde Guirish | E♭ Major | 3 | 5B | 121 BPM | ||
| Wildflowers in the Graveyard | Amber Rubarth | G Major | 1 | 9B | 80 BPM | ||
| The Wonder of You | Chip Taylor, Carrie Rodriguez | C Major | 2 | 8B | 83 BPM | ||
| Last Of The Hobo Kings | Mary Gauthier | D♭ Major | 5 | 3B | 83 BPM | ||
| Garden Song | David Mallett | D Major | 1 | 10B | 133 BPM | ||
| Raven In the Storm | John Gorka | F Minor | 5 | 4A | 129 BPM |