Stereolab's ' "Naught More Terrific Than Man" was released on its scheduled release date, 2001. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Sound-Dust (Expanded Edition)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Naught More Terrific Than Man's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Naught More Terrific Than Man by Stereolab having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Red Umbrella | Kostars | C Major | 3 | 8B | 98 BPM | ||
| Last Call | Brazilian Girls | E Minor | 6 | 9A | 114 BPM | ||
| Don't Bother | Sam Prekop | A♭ Major | 1 | 4B | 116 BPM | ||
| A Street Scene | Bark Psychosis | F♯ Minor | 1 | 11A | 103 BPM | ||
| Our Space | The Cardigans | F♯ Minor | 5 | 11A | 155 BPM | ||
| Matchbook Seeks Maniac | Deerhoof | B♭ Major | 4 | 6B | 116 BPM | ||
| うしろ姿 | Fishmans | D Major | 6 | 10B | 103 BPM | ||
| Binario | Komeda | A Major | 9 | 11B | 140 BPM | ||
| Impossible | The Clientele | E Major | 7 | 12B | 109 BPM | ||
| Velvet Water | Stereolab | F♯ Minor | 2 | 11A | 121 BPM | ||
| Organ Donor | The Durutti Column | E♭ Major | 7 | 5B | 128 BPM | ||
| Diamonds and Gems | Soft Location | G Major | 7 | 9B | 98 BPM | ||
| How To Play Your Internal Organs Overnight | Stereolab | D♭ Major | 4 | 3B | 215 BPM | ||
| Let Go | The Postmarks | D Major | 6 | 10B | 132 BPM | ||
| Is This Music? | Teenage Fanclub | D Major | 8 | 10B | 182 BPM | ||
| PS Exclusive | Life Without Buildings | G Major | 9 | 9B | 159 BPM | ||
| Strobo Acceleration | Stereolab | C Major | 9 | 8B | 148 BPM | ||
| How We Used to Live | Saint Etienne | B Minor | 5 | 10A | 130 BPM | ||
| stone | sugar plant | G Major | 3 | 9B | 136 BPM | ||
| Swimming Suit | Tahiti 80 | E Major | 7 | 12B | 143 BPM | ||
| I Must Soon Quit the Scene | The American Analog Set | A Minor | 2 | 8A | 121 BPM | ||
| Cold As Ice | Atlas Sound | D Major | 4 | 10B | 120 BPM | ||
| My Own Face Inside the Trees | The Clientele | F♯ Minor | 6 | 11A | 119 BPM | ||
| Each Dream is an Example | Gastr Del Sol | D Minor | 2 | 7A | 95 BPM | ||
| The Secret | Slapp Happy | F Major | 4 | 7B | 123 BPM |