"Morning, Evening & Communion Service in B-Flat Major, Op. 10 (Excerpts) [Version for Choir & Organ]: V. Credo" by Charles Villiers Stanford, Durham Cathedral Choir, Keith Wright, James Lancelot had its release date on February 19, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Stanford: The Complete Morning & Evening Services, Vol. 1". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Morning, Evening & Communion Service in B-Flat Major, Op. 10 (Excerpts) [Version for Choir & Organ]: V. Credo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Morning, Evening & Communion Service in B-Flat Major, Op. 10 (Excerpts) [Version for Choir & Organ]: V. Credo by Charles Villiers Stanford, Durham Cathedral Choir, Keith Wright, James Lancelot having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Songs of Farewell: My Soul, There is a Country | Hubert Parry, Tenebrae, Nigel Short | G Major | 1 | 9B | 77 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
| Song for Athene | John Tavener, Tenebrae | B♭ Major | 0 | 6B | 140 BPM | ||
| To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | ||
| Evening Service in G Minor, Z. 231: I. Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| 6 Short Preludes & Postludes, Op. 105: No. 6, Allegro | Charles Villiers Stanford, Ian Le Grice | D♭ Minor | 0 | 12A | 70 BPM | ||
| Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | C Minor | 2 | 5A | 34 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Tota pulchra es | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | E Major | 0 | 12B | 85 BPM | ||
| When in Our Music God Is Glorified | Charles Villiers Stanford, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt | G Major | 1 | 9B | 178 BPM | ||
| The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | ||
| 3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Minor | 1 | 9A | 68 BPM | ||
| The Mass: Et Incarnatus Est | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Transfigurations: VI. Tat Tvam Asi | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 0 | 1B | 80 BPM | ||
| Muusika | Kammerkoor Head Ööd Vend | F Major | 0 | 7B | 83 BPM | ||
| Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
| Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | ||
| The Mass: Gloria | Patrick Cassidy, Laude, David Harris, Christoph Bull | C Minor | 1 | 5A | 76 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus [arr. For tenor, choir and chamber ensemble] | César Franck, Frieder Lang, Regula Schüpbach, Praxedis Hug-Rütti, Daniel Winiger, Zurich Boys Choir, Alphons von Aarburg | A Major | 1 | 11B | 66 BPM | ||
| Phoenix | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | A Major | 0 | 11B | 77 BPM | ||
| Veris gratia, Op. 6: VII. Hymn to Cypris | Kenneth Leighton, David Cuthbert, The Choir of The Queen's College Oxford, Britten Sinfonia, Owen Rees | C Minor | 1 | 5A | 75 BPM |