"The Bus" by Harry Gregson-Williams had its release date on January 1, 2003. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Rundown (Original Motion Picture Soundtrack)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. In terms of popularity, The Bus is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Bus by Harry Gregson-Williams having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Four Ounces Can Move a Thousand Pounds | Harry Gregson-Williams | F♯ Major | 2 | 2B | 114 BPM | ||
| Afghan Trek | Theodore Shapiro, Mark Graham | A♭ Minor | 3 | 1A | 100 BPM | ||
| Landing of the French | Marc Streitenfeld | A Minor | 5 | 8A | 185 BPM | ||
| Alive And Together | Junkie XL | C Major | 1 | 8B | 70 BPM | ||
| Dumbledore's Farewell | Nicholas Hooper | A Minor | 1 | 8A | 115 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Rey's Theme | John Williams | A Minor | 1 | 8A | 103 BPM | ||
| Preparation | The Chamber Orchestra Of London | A Minor | 3 | 8A | 80 BPM | ||
| An Ingenious Technique - From "Our Planet" | Steven Price | F Major | 5 | 7B | 146 BPM | ||
| The Resurrection Stone | Alexandre Desplat | D♭ Minor | 0 | 12A | 69 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| Utopia | George Fenton | C Major | 0 | 8B | 86 BPM | ||
| Notification | Pinar Toprak | D♭ Major | 6 | 3B | 125 BPM | ||
| Arrival to Earth | Steve Jablonsky | C Minor | 4 | 5A | 79 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| The Blitz, 1940 | Harry Gregson-Williams | A♭ Major | 5 | 4B | 126 BPM | ||
| A New Beginning | Alexandre Desplat | E♭ Major | 0 | 5B | 116 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Samwise the Brave | Howard Shore | G Major | 1 | 9B | 66 BPM | ||
| The Escape | J Scott Rakozy, Hogwarts Legacy | E Minor | 1 | 9A | 148 BPM | ||
| Praying for Help | Clinton Shorter | G Major | 2 | 9B | 80 BPM | ||
| Autobots | Steve Jablonsky | G Minor | 5 | 6A | 80 BPM | ||
| On the Run | Joseph Trapanese | G Minor | 1 | 6A | 74 BPM | ||
| The Dark Crystal: Age Of Resistance | Daniel Pemberton | D Minor | 3 | 7A | 110 BPM |