"Musical Offering, BWV 1079: Canon 2. a 2 Violini in unisono" by Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana had its release date on April 15, 1998. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 19 in Bach, J.S.: Musical Offering, Bwv 1079 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Musical Offering, BWV 1079: Canon 2. a 2 Violini in unisono's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Musical Offering, BWV 1079: Canon 2. a 2 Violini in unisono by Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonia No. 2 in G Major: I. Allegro | Jiří Antonín Benda, Prague Chamber Orchestra, Christian Benda | E Minor | 1 | 9A | 94 BPM | ||
| Handel: Water Music, Suite No. 3 in G Major, HWV 350: IV. Gigues I & II | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | F♯ Major | 1 | 2B | 128 BPM | ||
| Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
| Overture | Gioachino Rossini, Prague Sinfonia Orchestra, Christian Benda | E♭ Major | 2 | 5B | 87 BPM | ||
| Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
| Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
| Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM | ||
| Concerto Armonico No. 1 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 121 BPM | ||
| Overture in D Major, D. 556 | Franz Schubert, Prague Sinfonia, Christian Benda | F Major | 0 | 7B | 113 BPM | ||
| Suite in G Major, RCT 6: VI. Les Sauvages | Jean-Philippe Rameau, Sophie Yates | F♯ Minor | 3 | 11A | 94 BPM | ||
| Overture (Suite) No. 1 In C Major, BWV 1066: III. Gavotte I And II | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| Cello Sonata in F Minor: III. Allegro | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
| Sinfonia in D Major, "Bologna" | Gioachino Rossini, Prague Sinfonia Orchestra, Christian Benda | D Major | 1 | 10B | 165 BPM | ||
| Overture | Gioachino Rossini, Prague Sinfonia Orchestra, Christian Benda | E♭ Major | 2 | 5B | 87 BPM | ||
| Brandenburg Concerto No. 5 in D Major, BWV 1050: 1. Allegro (I) | Johann Sebastian Bach, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 5 | 3A | 130 BPM | ||
| Neubrandenburg Concerto No. 2 after BWV 1064: III. Allegro (Transcr. By Harer, after Bach's Concerto for Three Harpsichords, Strings, and Basso Continuo in C Major, BWV 1064) | Christoph Harer, Johann Sebastian Bach, La Festa Musicale | F♯ Minor | 3 | 11A | 109 BPM | ||
| Konzert für Oboe Nr. 3 g-Moll, HWV 287: I. Grave | George Frideric Handel, Marcel Ponseele, Il Gardellino | B Minor | 2 | 10A | 79 BPM | ||
| Overture in the French Style - Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini | Rinaldo Alessandrini, Johann Sebastian Bach, Concerto Italiano | D♭ Minor | 3 | 12A | 99 BPM | ||
| Himmelskönig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | F♯ Major | 0 | 2B | 96 BPM | ||
| Concerto Grosso in G Major, Op. 3, No. 7: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | G Major | 3 | 9B | 127 BPM | ||
| Concerti Grossi, Op. 6 No. 5 in D Major, HWV 323: I. [no marking] | George Frideric Handel, Academy of Ancient Music, Andrew Manze | D♭ Major | 2 | 3B | 93 BPM | ||
| Keyboard Sonata No. 39 in D Minor: Harpsichord Sonata No. 39 in D Minor | Antonio Soler, Gilbert Rowland | D♭ Minor | 3 | 12A | 107 BPM | ||
| 12 Concerti da Chiesa, Op. 2 No.4: I. Allegro moderato | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 108 BPM | ||
| Cello Sonata No. 6 in A Major, G. 4*: I. Allegro moderato | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
| Bach, JS: Trio Sonata in G Major, BWV 1039: III. Adagio e piano | Johann Sebastian Bach, Marc Hantai/Ageet Zweistra/Jerome Hantai/Pierre Hantaï | G Major | 3 | 9B | 92 BPM |