Rohana Weerasinghe, Amarasiri Pieris's ' "Sanda Avith Mage Midulata" was released on its scheduled release date, August 25, 2020. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Top Sinhala Songs, Vol. 47". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Austria. Based on our statistics, Sanda Avith Mage Midulata's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sanda Avith Mage Midulata by Rohana Weerasinghe, Amarasiri Pieris having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nilupule Nila Denna Mata | Navarathna Gamage, Krishantha Erandaka | F♯ Major | 4 | 2B | 157 BPM | ||
| Atha Sithijaye | Shirley Waijayantha | G Major | 6 | 9B | 127 BPM | ||
| Sarayatiyen Api | Vijaya Kumaratunga | A Minor | 6 | 8A | 100 BPM | ||
| Maa Sanasa | Mervyn Perera | G Major | 8 | 9B | 99 BPM | ||
| Nayana | Sanath Nandasiri | F♯ Minor | 7 | 11A | 99 BPM | ||
| Adarayada Me (Giman Harina) | W. D. Amaradeva | C Minor | 2 | 5A | 130 BPM | ||
| Kalu Lily Mal Kakuli | Rookantha Goonatillake, Asoka Handagama, Navarathna Gamage, Raini Charuka | A Minor | 5 | 8A | 113 BPM | ||
| Pera Eka Dawasaka | Milton Mallawarachchi | E Minor | 6 | 9A | 94 BPM | ||
| Upul Nuwan | Milton Mallawaarachchi | G Major | 5 | 9B | 109 BPM | ||
| Maha Wassak Bimata Hela | Sunil Dayananda Konara, Sunil Edirisinghe | D Minor | 4 | 7A | 130 BPM | ||
| Samanaliya | Athma Liyanage | F♯ Minor | 5 | 11A | 90 BPM | ||
| Gela Wata Banda Wu | Priya Suriyasena, Niranjala Sarojini | A♭ Major | 3 | 4B | 113 BPM | ||
| As Deka Piyana | Rookantha Goonatillake | F Minor | 4 | 4A | 130 BPM | ||
| Master Sir | Neela Wickramasinghe | B Minor | 6 | 10A | 119 BPM | ||
| Sanda Tharaka | Priya Sooriyasena | A Minor | 6 | 8A | 159 BPM | ||
| Sanda Haadu Didee | Rathna Sri Wijesinghe, Chandana Liyanarachchi | A Major | 4 | 11B | 123 BPM | ||
| Nandaneeya Pema | Nanda Udawaththa, Senanayaka Weraliyadda, Siril Perera | B♭ Major | 5 | 6B | 158 BPM | ||
| Ma Sanasa | Mervin Perera | F Minor | 6 | 4A | 121 BPM | ||
| Payanna sanda | Surendra Perera | E♭ Major | 7 | 5B | 77 BPM | ||
| Pem Rajadahane | Milton Mallawaarachchi, Angeline Gunathilake, Samitha Mudunkotuwa | C Major | 5 | 8B | 130 BPM | ||
| Dura Kandu Yaya | Miyuru Sangeeth, Rohana Weerasinghe, Yamuna Malini Perera | E Minor | 3 | 9A | 115 BPM | ||
| Denuwara Min Pasu | Somathilaka Jayamaha | D Major | 5 | 10B | 141 BPM | ||
| Mahada Namathi | H. R. Jothipala | G Major | 7 | 9B | 146 BPM | ||
| Gathin Innata | Chandralekha Perera | B♭ Major | 5 | 6B | 90 BPM | ||
| Tikiri Malee - Inbox Studio Version | Pasindu Lakshan | F♯ Major | 6 | 2B | 130 BPM |