Ramkripal Rai, Parvati Rajput's ' "Tene Aisi Mari Maar" was released on its scheduled release date, March 1, 2014. This song appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Tene Aisi Maari Maar". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Based on our statistics, Tene Aisi Mari Maar's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tene Aisi Mari Maar by Ramkripal Rai, Parvati Rajput having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lala Ab Mat Rasiyao | Ramkripal Rai, Rajju Raja | E♭ Major | 9 | 5B | 157 BPM | ||
| Piritiya Kahe Na Lagavle | Sharda Sinha | A♭ Major | 6 | 4B | 157 BPM | ||
| Bichar Ke Bhi Mujhe | Ghulam Ali | D♭ Major | 4 | 3B | 108 BPM | ||
| Bhetichi Aawadi Utavil Man | Pt. Jitendra Abhisheki | G Major | 4 | 9B | 83 BPM | ||
| Srirama Jayarama Jay Jay Ram | Savita Sreeram | A♭ Major | 8 | 4B | 184 BPM | ||
| Dhanya Vah Ghar Hi Hai Ram Navami Special Bhajan | Chandra Bhushan Pathak | F♯ Major | 6 | 2B | 101 BPM | ||
| Hamre Piche Padal | Ramkhilawan | G Minor | 9 | 6A | 100 BPM | ||
| Bata Do Kaise Mair Milao | Soniya Studio, Ramrati kushwaha, mohan kushwaha | F♯ Minor | 5 | 11A | 111 BPM | ||
| Kalbhairav Bhutacha Raja | Vijay Sartape | F♯ Major | 7 | 2B | 109 BPM | ||
| Devki Nandlala Jail Mai Ho Gayi | Soniya Studio, Roli Raja, Ramrati kushwaha | F Minor | 8 | 4A | 138 BPM | ||
| Chaudhry Ne Aap Bulaya | Gurbaksh Singh Albela | E♭ Major | 5 | 5B | 142 BPM | ||
| Chalo Bhulava Aaya Hai | Rudraa | D♭ Major | 8 | 3B | 147 BPM | ||
| Jhalo Saho Nehi Jay | Habib Khan | F♯ Major | 9 | 2B | 147 BPM | ||
| Roz Rahiyo Nihaare Nayanva Sajanva | Bharat Sharma Vyas | F Minor | 6 | 4A | 156 BPM | ||
| Bolava Vitthala | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Gavna Karval Ae Hari Ji | Bharat Sharma Vyas | C Minor | 6 | 5A | 84 BPM | ||
| Yati Kul Majhe Gele Harvuni | Godavaribai Munde, Rameshbuva Shegaonkar | A Major | 5 | 11B | 84 BPM | ||
| Pingala | Mauli Maharaj | B♭ Minor | 9 | 3A | 117 BPM | ||
| Patna Sahariya | Sharda Sinha | F Minor | 5 | 4A | 176 BPM | ||
| Aeke Karvatiya Kari Sejiya Par Bhor | Bharat Sharma Vyas | F Minor | 6 | 4A | 133 BPM | ||
| Raja Bharat Ri Bhajan Ramniwas Ji Rao | Raghavnath Lavera | D♭ Major | 2 | 3B | 80 BPM | ||
| Sakhi He Hamardukhak Nahi Oor | Sarda Sinha | C Major | 3 | 8B | 161 BPM | ||
| Sanmitra Raghavancha Sugriv Aaj Zala | Sudhir Phadke | E Minor | 5 | 9A | 104 BPM | ||
| Ab To Yahi Hain Dil Se | Begum Akhtar | D♭ Major | 3 | 3B | 84 BPM | ||
| Bharti Aayli Daryala | Balasaheb Jadhav, Eknath Mali, Kavita Shinde, Ganesh Bhagat, Joli Mukharjee, Krushna Shinde, Uttara Kelkar, Reshma Sonavane | A Major | 7 | 11B | 187 BPM |