Kevin Puts, Time For Three, Joyce DiDonato's 'Emily — No Prisoner Be: No. 20, Tell Her' had a release date set for January 30, 2026. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Emily — No Prisoner Be: No. 20, Tell Her's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kevin Puts, Time For Three, Joyce DiDonato's "Kevin Puts: Emily — No Prisoner Be" album is number 20 out of 26. On top of that, United States appears to be the country where this track was created. In terms of popularity, Emily — No Prisoner Be: No. 20, Tell Her is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Emily — No Prisoner Be: No. 20, Tell Her by Kevin Puts, Time For Three, Joyce DiDonato to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ornament and Crime: III. Ornament III | Bryce Dessner, Tim Fain | G Minor | 1 | 6A | 132 BPM | ||
| Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | F Minor | 1 | 4A | 131 BPM | ||
| Korngold: Die tote Stadt, Op. 12, Act 2: "Mein Sehnen, mein Wähnen" (Fritz) | Erich Wolfgang Korngold, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | D♭ Major | 1 | 3B | 90 BPM | ||
| Symphony No. 2 in C Minor, Op. 29: IIId. Tempo I (Fig. 63) | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Souvenir de Spa, Op. 2: I. Allegro agitato | Adrien François Servais, Sol Gabetta, Cappella Gabetta | D♭ Major | 1 | 3B | 172 BPM | ||
| Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Not Applicable, Wiener Philharmoniker, Yannick Nézet-Séguin | F Minor | 1 | 4A | 131 BPM | ||
| Juditha triumphans, RV 644: Agitata infido flatu - Arr. for Voice & Piano | Antonio Vivaldi, Théophile Alexandre, Guillaume Vincent | D♭ Minor | 3 | 12A | 76 BPM | ||
| L'Orfeo, SV 318, Act III: Sinfonia – Possente spirto | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| À Chloris | Reynaldo Hahn, Samuel Mariño, Jonathan Ware | D♭ Minor | 0 | 12A | 61 BPM | ||
| Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | ||
| Vaughan Williams: Songs of Travel: No. 9, I Have Trod the Upward and the Downward Slope (Version with Orchestra) | Ralph Vaughan Williams, Thomas Allen, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D Major | 1 | 10B | 135 BPM | ||
| Enescu: String Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Quatuor Ébène, Belcea Quartet | F Minor | 1 | 4A | 131 BPM | ||
| Drei Hymnen von Walt Whitman, Op. 14: No. 1, Der ich, in Zwischenräumen, in Äonen und Äonen wiederkehre | Paul Hindemith, Florian Störtz, Aleksandra Myslek | F Minor | 1 | 4A | 131 BPM | ||
| In Darkness Let Me Dwell | John Dowland, Clara Brunet, Bor Zuljan | F Minor | 1 | 4A | 131 BPM | ||
| Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
| Stabat Mater, FP 148: IX. Sancta mater, istud agas | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | B♭ Minor | 2 | 3A | 89 BPM | ||
| La ville morte, Act I: Eros invaincu au combat | Nadia Boulanger, Raoul Pugno, Talea Ensemble, Neal Goren, Melissa Harvey, Laurie Rubin | F Minor | 1 | 4A | 131 BPM | ||
| From Jewish Life, B. 54: I. Prayer (Arr. Parkin for Violin, Accordion & Cello) | Ernest Bloch, Nicola Benedetti, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| Hymn of the Pearl | Kevin Anthony, BYU Singers, Andrew Crane | E Major | 2 | 12B | 131 BPM | ||
| Varii, e diversi capricci per camera, Op. 50: Capriccio in eco (nella grotta) | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM |