Richard Lloyd's ' "Something Remains" was released on its scheduled release date, November 2, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The Countdown". In this album, this song's track order is #8. In terms of popularity, Something Remains is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Something Remains by Richard Lloyd having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Inventions for Choir: No. 2, The Duchess | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| Tristis Est Anima Mea | Johann Kuhnau | F Minor | 1 | 4A | 134 BPM | ||
| 7 Magnificat-Antiphons: No. 1, O Weisheit | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve | A Major | 0 | 11B | 79 BPM | ||
| Mass for Double Choir: III. Credo | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 135 BPM | ||
| Number Nine | Richard Lloyd | A Major | 8 | 11B | 159 BPM | ||
| The Light Thereof | Deborah Pritchard, The Gesualdo Six, Owain Park, Matilda Lloyd | B♭ Major | 2 | 6B | 76 BPM | ||
| Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
| Virgencita | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve | G Minor | 1 | 6A | 86 BPM | ||
| Verbum caro factum est | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 94 BPM | ||
| Pärt: 7 Magnificat-Antiphonen: No. 1, O Weisheit (1991 Version) | Arvo Pärt, Vasari Singers, Jeremy Backhouse | D♭ Minor | 1 | 12A | 101 BPM | ||
| Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| O Where Shall Wisdom Be Found | William Boyce, Salisbury Cathedral Choir, Richard Lloyd, Christopher Dearnley | E♭ Major | 2 | 5B | 130 BPM | ||
| Loquebantur variis linguis | Thomas Tallis, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Stand up, Stand up for Jesus | George Duffield, George Webb, Salisbury Cathedral Choir, Simon Lole | A Major | 3 | 11B | 114 BPM | ||
| God Is Gone Up with a Merry Noise | William Croft, Salisbury Cathedral Choir, Richard Lloyd, Christopher Dearnley | G Major | 2 | 9B | 78 BPM | ||
| God Be in My Head | Richard Lloyd, The Bede Singers, David Hill | B Minor | 1 | 10A | 72 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
| 691 | Marc Jonson, Drew Zingg, Wayne Kramer, Richard Lloyd, Mike Masaros | A Major | 8 | 11B | 137 BPM | ||
| The Carol of the Angels | Choral Arts Northwest, Robert Bode | F Major | 2 | 7B | 113 BPM | ||
| Where the Wild Things Are - French Version | The Salt Collective, Juliana Hatfield, Richard Lloyd | F♯ Major | 8 | 2B | 112 BPM | ||
| Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM | ||
| Tallis: Tunes for Archbishop Parker's Psalter - 9. Come Holy Ghost, Eternal God | The Tallis Scholars, Peter Phillips | D Major | 0 | 10B | 82 BPM | ||
| Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM |