Lucy Schwartz's ' "Blue Sky" was released on its scheduled release date, January 1, 2007. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Winter In June by Lucy Schwartz. The song's track number on the album is #2 out of 9 tracks. Based on our statistics, Blue Sky's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Blue Sky by Lucy Schwartz has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Blue Sky being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Torch Song | Shady Bard | E Major | 6 | 12B | 160 BPM | ||
| All You Wanted | Sounds Under Radio | D♭ Major | 4 | 3B | 110 BPM | ||
| The Best Part | Paul McDonald, Nikki Reed | A♭ Minor | 4 | 1A | 85 BPM | ||
| Ashes Like Snow | Lily Kershaw | B Major | 4 | 1B | 89 BPM | ||
| Parallel Lines (feat. Aron Wright) | Future Reference, Aron Wright | A Major | 2 | 11B | 113 BPM | ||
| Sweetheart | Jont | G Major | 1 | 9B | 124 BPM | ||
| Lua | Bright Eyes | D Major | 2 | 10B | 105 BPM | ||
| Save You | Matthew Perryman Jones | B♭ Major | 5 | 6B | 172 BPM | ||
| I will let you go | Daniel Ahearn | A Major | 1 | 11B | 146 BPM | ||
| My Friend | Lucy Schwartz | B♭ Minor | 7 | 3A | 109 BPM | ||
| Love Is a Battlefield | Raining Jane | E Minor | 3 | 9A | 150 BPM | ||
| Til The Morning | Bahamas | B Major | 3 | 1B | 114 BPM | ||
| Be the Song | Foy Vance | G Major | 3 | 9B | 106 BPM | ||
| Let Me Sign | Ceekay Jones | A Minor | 2 | 8A | 173 BPM | ||
| When The Darkness Comes | Colbie Caillat | D Major | 3 | 10B | 156 BPM | ||
| Lloverá | Mia Maestro | F Major | 1 | 7B | 63 BPM | ||
| Nearly Morning | Luke Sital-Singh | C Major | 3 | 8B | 132 BPM | ||
| Roslyn | Ben Pellow | D♭ Major | 1 | 3B | 134 BPM | ||
| Song for the Waiting | Aron Wright | G Major | 3 | 9B | 130 BPM | ||
| Gone Away | Lucy Schwartz | F♯ Major | 1 | 2B | 96 BPM | ||
| Done All Wrong | Black Rebel Motorcycle Club | B Minor | 5 | 10A | 80 BPM | ||
| Dance Me to the End of Love - Bonus | The Civil Wars | D Minor | 2 | 7A | 110 BPM | ||
| To Let Go | Jozy | G Major | 3 | 9B | 116 BPM | ||
| Cover Your Tracks | A Boy and His Kite | C Major | 4 | 8B | 150 BPM | ||
| 9 Crimes | Damien Rice | C Major | 1 | 8B | 136 BPM |