"An Ambrosian Mass: Kyrie Eleison" by Anonymous, The Cathedral Singers, Richard Proulx had its release date on January 1, 1999. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anonymous, The Cathedral Singers, Richard Proulx's "More Sublime Chant: The Art of Gregorian, Ambrosian, Gallican & Sarum Chant" album is number 19 out of 32. On top of that, United States appears to be the country where this track was created. An Ambrosian Mass: Kyrie Eleison is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of An Ambrosian Mass: Kyrie Eleison by Anonymous, The Cathedral Singers, Richard Proulx to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Si Ascendero - Antífona | Schola Antiqua | F♯ Minor | 1 | 11A | 77 BPM | ||
| Silent Night, Holy Night | Worcester Cathedral Choir | C Major | 1 | 8B | 89 BPM | ||
| Evangelium - De Caeco Nato | Gregorian Chant, Sacred Scripture, Alexander M. Schweitzer, Consortium Vocale | C Major | 1 | 8B | 70 BPM | ||
| Ocult omnium | Schola Antiqua, Schola Gregoriana Hispana | G Major | 1 | 9B | 137 BPM | ||
| Only Begotten, Word of God Eternal | Anonymous, The Cathedral Singers, Richard Proulx | G Major | 2 | 9B | 89 BPM | ||
| Requiem Aeternam | Public Domain, Cantores in Ecclesia, Dean Applegate | A Minor | 1 | 8A | 170 BPM | ||
| Hark The Herald Angels Sing | Christendom College Choir | F Major | 2 | 7B | 129 BPM | ||
| Nuit De Paix (Stille Nacht, Silent Night) - Arr. Donald Hunt | Worcester Cathedral Choir, Robert Stringer, Raymond Johnston, Franz Xaver Gruber | C Major | 1 | 8B | 108 BPM | ||
| Lumen Hilare Sanctae Gloriae | Anonymous, The Cathedral Singers, Richard Proulx | G Major | 2 | 9B | 89 BPM | ||
| In dulci jubilo (Arr. R.L. Pearsall for Choir) | John Rutter, The Cambridge Singers | F♯ Major | 1 | 2B | 88 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, The Choir Of Trinity College, Cambridge, Richard Marlow, Andrea Cockerton, Eliza Lumley, Duncan Byrne, James Elias | A Minor | 0 | 8A | 81 BPM | ||
| Canto Gregoriano III, Adviento y Navidad: Christus Natus Est | Anónimo, Popular, Coro De La Abadía Benedictina De Santo Domingo De Silos | D Major | 2 | 10B | 102 BPM | ||
| Creator of the Stars of Night | Anonymous, The Cathedral Singers, Richard Proulx | G Major | 2 | 9B | 89 BPM | ||
| Requiem (Missa pro defunctis) a 2-4: Agnus Dei (Gregorian chant) | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | D Major | 0 | 10B | 130 BPM | ||
| Benedictine Verses of the Spirit | The Schola Cantorum of St. John XXIII Parish, Cantos Gregorianos, Monges da Abadia de Notre Dame | F Major | 1 | 7B | 75 BPM | ||
| The First Nowell | OCP Session Choir | D Major | 2 | 10B | 114 BPM | ||
| O admirabile commercium | Schola Gregoriana Del Coro F. Paer | A♭ Minor | 1 | 1A | 98 BPM | ||
| Offertorium: Benedictus Qui Venit | Cantarte Regensburg | B♭ Major | 1 | 6B | 137 BPM | ||
| The Angel Gabriel From Heaven Came | John Shaw | A Major | 1 | 11B | 180 BPM | ||
| Gregorian Chant Hymnus: Aeterna Christi Munera | Pro Cantione Antiqua, English Medieval Wind Ensemble | D Major | 0 | 10B | 166 BPM | ||
| Hosanna Filio David | The Monks Of Glenstal Abbey | D Minor | 3 | 7A | 99 BPM | ||
| The King Shall Come When Morning Dawns | Donald Davison, The Priory Singers, Belfast, Philip Stopford, Harry Grindle | F♯ Minor | 1 | 11A | 92 BPM | ||
| Unto Us a Child Is Born | St. Paul's Cathedral Choir | A♭ Major | 1 | 4B | 68 BPM | ||
| I Saw Three Ships (Arr. Simon Preston) | English Traditional, Choir of King's College, Cambridge, Stephen Cleobury, Adam Banwell, Joel Williams, Douglas Tang | C Minor | 1 | 5A | 102 BPM | ||
| Noël - Messe du jour : Alleluia, dies sanctificatus illuxit nobis | Chœur de l'abbaye Saint-Martin de Ligugé, Olivier Bossard | E Major | 0 | 12B | 89 BPM |