"Snow Is Ever-Changing (Bonus Track)" by Piotr Musiał had its release date on April 20, 2021. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 14 in Frostpunk Expansions (Original Soundtrack) by Piotr Musiał. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Snow Is Ever-Changing (Bonus Track) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Snow Is Ever-Changing (Bonus Track) by Piotr Musiał is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Crown and the Lion | Dynamedion | A Minor | 4 | 8A | 134 BPM | ||
| Hell's Advance | Dmitry V. Silantyev | G Minor | 6 | 6A | 55 BPM | ||
| No Way Out | Critical Role, Colm R. McGuinness | D Major | 6 | 10B | 79 BPM | ||
| The Final Combat | Stuart Chatwood | A♭ Major | 9 | 4B | 136 BPM | ||
| Main Theme, Pt. 1 | Borislav Slavov | A Major | 5 | 11B | 129 BPM | ||
| Battle For The Bridge | Marcin Przybyłowicz | D Major | 4 | 10B | 80 BPM | ||
| Cenotaph City | Alex Roe | D♭ Major | 3 | 3B | 100 BPM | ||
| Kings | Jose Pavli | A Minor | 9 | 8A | 130 BPM | ||
| Grieving Rockgiant | Alex Roe | E♭ Minor | 2 | 2A | 140 BPM | ||
| Forest Meadow | Kyle Hnedak | F Major | 3 | 7B | 178 BPM | ||
| Construction Site | Piotr Musiał | F♯ Minor | 3 | 11A | 89 BPM | ||
| He Who Devoured The Dark | Solas Composer | D Minor | 4 | 7A | 100 BPM | ||
| Aristocrats of Karnaca (Ambient) | Daniel Licht | F♯ Major | 0 | 2B | 109 BPM | ||
| Built to Kill | Oleksa Lozowchuk | D♭ Minor | 3 | 12A | 83 BPM | ||
| Welcome to Wildemount | Critical Role, Colm R. McGuinness | B♭ Major | 7 | 6B | 85 BPM | ||
| Battle 3-4 Medley | Daniel Licht | B♭ Minor | 5 | 3A | 95 BPM | ||
| The Benevolent Triumph | Nikolay Filipovich | D Minor | 5 | 7A | 156 BPM | ||
| Immaterial Breath (Umbral Choir Theme) | Arnaud Roy | D Minor | 2 | 7A | 100 BPM | ||
| Legacy of the Horadrim | Ted Reedy | D Major | 8 | 10B | 140 BPM | ||
| Making Your Way Home | Masatoshi Yanagi | B Minor | 1 | 10A | 143 BPM | ||
| After All This Time | Michael Salvatori, Skye Lewin, Josh Mosser, Michael Sechrist | C Major | 3 | 8B | 128 BPM | ||
| Still Alive Inside | Piotr Musiał | D Minor | 3 | 7A | 126 BPM | ||
| Retribution | P.T. Adamczyk | B♭ Major | 5 | 6B | 110 BPM | ||
| Towerfall | Pieter Schlosser, Skye Lewin, Michael Salvatori, C. Paul Johnson | A Major | 7 | 11B | 82 BPM | ||
| Veso Dash R | Keith Power, Digital Extremes Ltd., Evan Duffy | G Major | 9 | 9B | 112 BPM |