Silvina Rouco's 'Vals Medio (Mascarade)' had a release date set for February 11, 2004. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Vals Medio (Mascarade)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Silvina Rouco's "Música para Ballet, Vol. 7" album is number 26 out of 30. On top of that, Argentina appears to be the country where this track was created. Vals Medio (Mascarade) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vals Medio (Mascarade) by Silvina Rouco to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fondu 1 (Caminito) | Silvina Rouco | C Major | 3 | 8B | 150 BPM | ||
| Allegro II: Center Floor Technique | David Howard, Alla Reznik | E♭ Major | 3 | 5B | 147 BPM | ||
| La Esmeralda: Tambourine Variation (Battements tendus jetés 1) | Cesare Pugni, 유연하 (Rebecca Y. Yoo) | C Minor | 3 | 5A | 109 BPM | ||
| Verführerisch | Kronberry | E Major | 0 | 12B | 138 BPM | ||
| Barre Plie | Ballet Piano Music | G Major | 6 | 9B | 177 BPM | ||
| Medium Allegro Shadow Waltz | Matthew J Gregory | F Major | 2 | 7B | 90 BPM | ||
| Battements Tendus | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Coda (Do re mi) La novicia rebelde | Silvina Rouco | C Major | 3 | 8B | 116 BPM | ||
| Battement Tendu - Washington Square | B. Goldsteinn, Ballet pianist Mia | D Major | 5 | 10B | 138 BPM | ||
| Carmen, Act I: No. 5, Habanera (Fondu) | Nina Pinzarrone | D Major | 1 | 10B | 87 BPM | ||
| Bruciati in Partenza | Sel Morasca | D Minor | 1 | 7A | 128 BPM | ||
| Giro Vitae | Josh Kintama | A Minor | 1 | 8A | 75 BPM | ||
| Fourteen Degrees | Tom Adorno | F Major | 1 | 7B | 54 BPM | ||
| Battements Développés | SuYeon Park | E♭ Major | 2 | 5B | 59 BPM | ||
| Pliés in B-Flat Major, Waldszenen, Op.82, Abschied | Robert Schumann, Konstantin Mortensen | B♭ Major | 1 | 6B | 81 BPM | ||
| Tendu in 5th 4-4 | Venti Petrov | G Major | 1 | 9B | 79 BPM | ||
| Uninterrupted Learning Ambiance | Hugo Focus | B Major | 0 | 1B | 71 BPM | ||
| Waltz Ⅱ 3/4 (Symphony no.5 op.64) | Eun S. Kim | E Major | 2 | 12B | 140 BPM | ||
| Allegro II-Jetés, Assemblés: Center Floor Technique | David Howard, Joe Cross | E♭ Major | 3 | 5B | 109 BPM | ||
| Fondu: Sway | Ian Howells Music | D Minor | 1 | 7A | 118 BPM | ||
| Black Orpheus | Marcin Brzozowski | G Minor | 1 | 6A | 70 BPM | ||
| Battement Tendu & jete | 이예정 | D Major | 1 | 10B | 108 BPM | ||
| Easy, Easy Ensembles | Hugo Focus, Shusuke Inari | F Minor | 2 | 4A | 126 BPM | ||
| Lovoten Islands | Paul Kronberg | F♯ Major | 0 | 2B | 169 BPM | ||
| Plies (3/4:64): 不思議の国のアリス | Oliver Wallace, 稲葉智子 | E Major | 2 | 12B | 97 BPM |