Lagrima Rios,'s ' "Con Permiso" was released on its scheduled release date, 1996. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Con Permiso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 12 in Cantando Sueños by Lagrima Rios,. Going off of the ISRC code of this track, we detected that the origin of this track is from Uruguay. The popularity of Con Permiso is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Con Permiso by Lagrima Rios, is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Hornerito | Don Olimpio, Milagros Caliva, Diego Amerise | E Minor | 5 | 9A | 175 BPM | ||
| El Camión | Pequeña Orquesta Reincidentes | C Major | 4 | 8B | 123 BPM | ||
| Moliendo Café | Ignacio Gárate Martinez | A♭ Minor | 4 | 1A | 90 BPM | ||
| Bombo y Platillo Como Arma | Rotosos de Montserrat | F♯ Minor | 4 | 11A | 83 BPM | ||
| La Voz del Monte | Ramón Ayala El Mensú | D Major | 1 | 10B | 77 BPM | ||
| El Señor De Los Campos | Garupá | A♭ Major | 3 | 4B | 156 BPM | ||
| Trinar | Nadia Larcher, Juan Pablo Di Leone | G Major | 1 | 9B | 78 BPM | ||
| Viene Clareando | Leda Valladares, María Elena Walsh | G Minor | 3 | 6A | 156 BPM | ||
| Pot-Pourri: Baile de los Morenos / Candela / Buma Buruma / La Llamada /Siga el Baile | Lagrima Rios, | D Minor | 6 | 7A | 115 BPM | ||
| Gurisito | Daniel Viglietti | D Major | 3 | 10B | 142 BPM | ||
| Por Si Vuelvo | Pareceres | E Major | 7 | 12B | 103 BPM | ||
| Gurí | Isabel Lenoir | A Minor | 8 | 8A | 110 BPM | ||
| Viveza | Fernando Cabrera | D♭ Minor | 1 | 12A | 85 BPM | ||
| Ojalá | Kanelis | A♭ Major | 5 | 4B | 121 BPM | ||
| Adiós Tambor | Chabela Ramírez | E Minor | 6 | 9A | 122 BPM | ||
| El Rey | El Rey | E Minor | 0 | 9A | 71 BPM | ||
| Hay candombe | Alejandro Luzardo, La Candombera | C Minor | 9 | 5A | 134 BPM | ||
| María de Buenos Aires, Pt.1: VII. Poema Valseado - Cuadro No. 7 | Astor Piazzolla, Ce Suarez Paz, Gualtiero Scola, Cesare Chiacchiaretta, Giovanni Zonno, Salvatore Russo, Alberto Maria Munafò, Orchestra Filarmonica della Calabria, Filippo Arlia | E Major | 6 | 12B | 107 BPM | ||
| Merceditas | Duo Jasca, Mari Jasca, Diego Jascalevich, Bebê Kramer | A Minor | 3 | 8A | 113 BPM | ||
| Sin Marearme | Sofía Viola | D Major | 3 | 10B | 88 BPM | ||
| Te liberará | Trabajo de hormiga | B♭ Minor | 5 | 3A | 155 BPM | ||
| Oriente Es Otro Color | Aquiles Baez, Aquiles Machado, Alexis Cardenas | D Major | 4 | 10B | 132 BPM | ||
| Dispara | Pareceres | B Minor | 3 | 10A | 98 BPM | ||
| El vendedor de yuyos | Julián Venegas, José Santucho, Vicky Alancay | D♭ Major | 3 | 3B | 94 BPM | ||
| Milongón de la Mama Vieja (En Vivo) | Combo Candombero | D♭ Major | 6 | 3B | 166 BPM |