"Timber (Fennesz Remix)" by Michael Gordon, Mantra Percussion, Fennesz had its release date on October 28, 2016. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Michael Gordon, Mantra Percussion's "Michael Gordon: Timber Remixed" album is number 4 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, Timber (Fennesz Remix) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Timber (Fennesz Remix) by Michael Gordon, Mantra Percussion, Fennesz to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Memory of Time | Jane Antonia Cornish, Anna Elashvili, Saeunn Thorsteinsdottir, Caitlin Sullivan, Claire Bryant, Hamilton Berry | A Minor | 2 | 8A | 86 BPM | ||
| Different Trains: III. After the War | Steve Reich, David Robertson, Orchestre National De Lyon | D♭ Major | 1 | 3B | 88 BPM | ||
| Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
| Continuum II | Jane Antonia Cornish, Decoda | G Major | 1 | 9B | 76 BPM | ||
| Patterns of Minimalism | Laurent Dury | C Minor | 4 | 5A | 180 BPM | ||
| He Saw a Skull | Michael Gordon, Ars Nova Copenhagen, Paul Hillier | C Minor | 1 | 5A | 111 BPM | ||
| Walzer für Robert | Anne Müller | B Minor | 2 | 10A | 132 BPM | ||
| Shaker Loops: III. Loops and Verses | John Adams | G Minor | 2 | 6A | 85 BPM | ||
| IV. White Man Sleeps | Kevin Volans, Kronos Quartet | E Minor | 0 | 9A | 83 BPM | ||
| The Track of the Dull Sun | Penguin Cafe | F Major | 4 | 7B | 115 BPM | ||
| Missa Brevis - II. Sanctus | Cello Octet Amsterdam | C Major | 0 | 8B | 96 BPM | ||
| Long Meadow | Rael Jones, Brother Tree Sound | C Major | 1 | 8B | 68 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| Chupachups | Neslihan Atagoz, Telepatia | C Major | 2 | 8B | 85 BPM | ||
| Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Let My Key Be C | Nils Frahm, Anne Müller | F Major | 3 | 7B | 164 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Bright Edge Deep: The Block Split | Sarah Neutkens, Alma Quartet Amsterdam | A Minor | 1 | 8A | 80 BPM | ||
| Gnossienne | recur | B♭ Minor | 2 | 3A | 119 BPM | ||
| Silt Sunrise (from "The Elder Scrolls III: Morrowind") | London Music Works, Scott Buckley | C Minor | 2 | 5A | 140 BPM | ||
| Another Long Evening | Kronos Quartet, Laurie Anderson | C Minor | 1 | 5A | 88 BPM | ||
| Nuit du départ | Gaspar Claus | D Major | 0 | 10B | 65 BPM |