On May 28, 2005, the song "Mat Piyo Hamaar" was released by Kumar Vishu, Rekha Rao. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rao, Kumar Vishu's "Gorband Vol-1" album is number 7 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Mat Piyo Hamaar is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mat Piyo Hamaar by Kumar Vishu, Rekha Rao to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hum Tumhare Hain Prabhu | Devendra Pathak | C Major | 7 | 8B | 120 BPM | ||
| Mane Pyaru Lage Shriji Taru - Live | Sachin Limaye | D Major | 7 | 10B | 101 BPM | ||
| Swaminarayan Narayan | Harikrishna Patel | D♭ Major | 8 | 3B | 103 BPM | ||
| Ram Naam Ke Sabun | Prem Prakash Dubey | E Major | 9 | 12B | 92 BPM | ||
| Jara Itna Bata De | Manish Tiwari | A♭ Major | 4 | 4B | 127 BPM | ||
| Aasro Balaji Manne Tharo | Ramkumar Lakha | A♭ Major | 7 | 4B | 165 BPM | ||
| Rangai Jaane Rang Ma | Rekha Trivedi, Kirti Punekar | B♭ Minor | 5 | 3A | 100 BPM | ||
| Shri Shivay Namastubhyam | Jyoti Vishwakarma | G Major | 5 | 9B | 124 BPM | ||
| Shivashtak | Anjul Sharma | C Major | 5 | 8B | 83 BPM | ||
| Nana Sarkha Shreenathji | Dr. Dipali Bhatt, Sachin Limaye, Foram Maheta | F♯ Major | 1 | 2B | 82 BPM | ||
| मेरे श्याम चले आओ | MurariLal Soni Anchaliya, Khatu Shyam | A Major | 6 | 11B | 92 BPM | ||
| Har Har Bole | Vikram Hazra | A Major | 4 | 11B | 95 BPM | ||
| Har Gyaras Ko | Brijraj Singh Lakkha | D Minor | 8 | 7A | 80 BPM | ||
| Shyam Sapno Mein Aata Kyun Nahi | Manoj Sharma Gwalior | G Major | 9 | 9B | 103 BPM | ||
| Ghat Ma Giridhari Ne | Sachin Limaye | F Minor | 7 | 4A | 114 BPM | ||
| Mere Ghar Ke Aage Sainath | Paras Jain | D Major | 5 | 10B | 82 BPM | ||
| Prabhu Ram Ke Param Snehi | Bijender Chauhan, Kumar Vishu, Kewal Vinayak | E Major | 8 | 12B | 114 BPM | ||
| Chhoti Chhoti Gaiya | Ashit Desai, Hema Desai | C Minor | 6 | 5A | 102 BPM | ||
| Baanke Bihari Tere Nayna Kajraare | Bhaiya Krishan Das Ji | A♭ Major | 8 | 4B | 82 BPM | ||
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Main Aarti Teri Gaun | Chetna | D♭ Minor | 8 | 12A | 77 BPM | ||
| Sharan Main Rakh Lo Ae Mohan | Bijender Chauhan, Kumar Vishu, Kewal Vinayak | F♯ Minor | 7 | 11A | 85 BPM | ||
| Padharo Shyam Baba | Reshmi Sharma | E♭ Major | 7 | 5B | 150 BPM | ||
| Vishwambhari Akhil Vishwa Tani - Stuti | Koras | C Major | 4 | 8B | 143 BPM | ||
| Shrinathji Sharanam Mamah | Asif Jeriya, Minakshi Vadher | F Major | 4 | 7B | 79 BPM |