"Fa La Sol à 3" by William Cornysh, Fretwork had its release date on March 1, 2011. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in Fretwork's "In Nomine Sixteenth Century Music for Viols" album is number 5 out of 21. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Fa La Sol à 3 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fa La Sol à 3 by William Cornysh, Fretwork to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sheppard: Jesu salvator saeculi, redemptis - 4. Chorus sacratus martyrum | John Sheppard, The Tallis Scholars, Peter Phillips | D♭ Major | 1 | 3B | 88 BPM | ||
| In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | F♯ Minor | 0 | 11A | 88 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Robert Pearsall: Lay a garland | Lumen Valo | E♭ Major | 1 | 5B | 124 BPM | ||
| Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
| O Ignis Spiritus | Rosa Lamoreaux | C Major | 0 | 8B | 75 BPM | ||
| Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 88 BPM | ||
| Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
| In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
| Relaxing Sleep Orthodox Chant Benedictine Monks | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Gregorian Chants | A Minor | 2 | 8A | 129 BPM | ||
| Adieu my hertes lust (à 3) - La belle fyne (à 3) - Farewell My Joye (Arr. Thorby) | William Cornysh, Musica Antiqua of London | C Minor | 5 | 5A | 113 BPM | ||
| And I were a maiden | William Cornysh, Sirinu | G Minor | 1 | 6A | 109 BPM | ||
| Taverner: Dum transisset Sabbatum I | John Taverner, Philip Ledger, Choir of King's College, Cambridge | F Major | 1 | 7B | 133 BPM | ||
| L'aspido sordo | Donato da Cascia, La Reverdie | C Major | 1 | 8B | 88 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Consort (Traditional) / "If Love Now Reigned" / "Pastime with Good Company" / "Blow thy Horn, Hunter" - Medley | Henry VIII, William Cornysh, Ensemble Terpsichore | C Major | 1 | 8B | 95 BPM | ||
| Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | ||
| Missa "Et ecce terrae motus" A 12 voce: Kyrie: a. Kyrie eleison - Voice | Antoine Brumel, Huelgas Ensemble, Paul Van Nevel | C Major | 3 | 8B | 100 BPM | ||
| Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): I. Tristitia et anxietas | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
| Missa Iste confessor domini: Gloria in excelsis Deo | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | F♯ Minor | 0 | 11A | 88 BPM | ||
| D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
| Aimè, ch'io moro: Aime, ch'io moro | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | C Major | 1 | 8B | 83 BPM | ||
| Where the bee sucks | Robert Johnson, Ruby Hughes, Jonas Nordberg | F♯ Minor | 0 | 11A | 88 BPM | ||
| Ricercare terzo | Girolamo Frescobaldi, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 131 BPM |