The Poozies's 'The Widow' had a release date set for May 9, 2000. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Raise Your Head (A Retrospective)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, The Widow is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Widow by The Poozies having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Polly on the Shore | Barry Coope, Jim Boyes, Lester Simpson | C Major | 7 | 8B | 113 BPM | ||
| Are Ye Sleeping Maggie?/The Noose And The Ghillie | The Tannahill Weavers | F Minor | 4 | 4A | 113 BPM | ||
| The False Knight Upon the Road | Runa | C Major | 6 | 8B | 119 BPM | ||
| In Between The Lines | The Poozies | B Minor | 4 | 10A | 113 BPM | ||
| Man in the Moon | The Full English | C Major | 2 | 8B | 175 BPM | ||
| Glenlogie | Iona Fyfe | A♭ Major | 2 | 4B | 109 BPM | ||
| Sium Ni Dhuibhir | Relativity | B♭ Major | 3 | 6B | 133 BPM | ||
| The Last Trip Home / The Luckenbooth | Battlefield Band | D Major | 2 | 10B | 112 BPM | ||
| The Origin of the World | Blowzabella | G Minor | 5 | 6A | 143 BPM | ||
| Mairead Nan Cuiread (Wily Margaret) / The Bob Parsons Strathspey | Tannas | D Minor | 3 | 7A | 125 BPM | ||
| Twa Sisters | Emily Smith | D Major | 6 | 10B | 132 BPM | ||
| The Wheels Of The World | John Doyle | E Major | 4 | 12B | 180 BPM | ||
| Exiles Return | Karan Casey, John Doyle | B Major | 2 | 1B | 113 BPM | ||
| Doffin' Mistress | Maddy Prior, June Tabor | F Major | 3 | 7B | 106 BPM | ||
| She Is Like The Swallow | Karan Casey | A♭ Minor | 0 | 1A | 72 BPM | ||
| Wild Mountain/Thyme | The Tannahill Weavers | A♭ Major | 2 | 4B | 110 BPM | ||
| Bonny Light Horseman | Siobhan Miller | F Major | 2 | 7B | 72 BPM | ||
| We’re Not Staying | Maeve Mackinnon | D♭ Major | 5 | 3B | 88 BPM | ||
| Ten Thousand Miles | Danú | C Major | 2 | 8B | 131 BPM | ||
| The Shores of Hispaniola | The Elizabethan Session | F Major | 2 | 7B | 119 BPM | ||
| Jenny O' The Braes | Battlefield Band | D Major | 2 | 10B | 94 BPM | ||
| Bonaparte's Lament | Eliza Carthy, Norma Waterson | G Major | 2 | 9B | 112 BPM | ||
| Hushabye Birdie / Hexham Lasses | Kathryn Tickell, The Darkening | B♭ Major | 1 | 6B | 103 BPM | ||
| When the Day Is On the Turn | Dallahan | D Minor | 9 | 7A | 111 BPM | ||
| Dhannsamaid le Ailean | Dàimh | D Major | 5 | 10B | 123 BPM |