"Missa Brevis In D, Op. 63: Gloria" by Benjamin Britten, Carys Lane, Rebecca Outram, Deborah Miles-Johnson, Margaret Phillips, Harry Christophers had its release date on October 1, 2005. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Missa Brevis In D, Op. 63: Gloria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 26 in A Ceremony Of Carols - Britten Choral Works II by Benjamin Britten, The Sixteen, Harry Christophers. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Missa Brevis In D, Op. 63: Gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa Brevis In D, Op. 63: Gloria by Benjamin Britten, Carys Lane, Rebecca Outram, Deborah Miles-Johnson, Margaret Phillips, Harry Christophers is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Christus factus est, WAB 11 | Anton Bruckner, Tenebrae, Nigel Short | C Minor | 1 | 5A | 137 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
| Rachmaninov: Vespers, Op. 37: Slavosloviye velikoye | Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury | C Minor | 0 | 5A | 81 BPM | ||
| Variations on a Hungarian Folksong "The Peacock": Moderato | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | C Minor | 0 | 5A | 69 BPM | ||
| Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
| Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | E♭ Major | 2 | 5B | 91 BPM | ||
| Requiem, Op. 9: VI. Agnus Dei (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Choir of King's College, Cambridge, Stephen Cleobury | C Major | 0 | 8B | 88 BPM | ||
| All-night Vigil, Op. 37: No. 12, Glory to God in the Highest | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | F Minor | 1 | 4A | 70 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | D Major | 1 | 10B | 88 BPM | ||
| 5 Stücke im Volkston, Op. 102: 2. Langsam | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
| 5 Songs for Soprano & Orchestra: 3. Winter | Polish National Radio Symphony Orchestra, Witold Lutosławski, Halina Lukomska | D♭ Major | 2 | 3B | 78 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Eight Part-songs, Op. 119: The Bluebird | Charles Villiers Stanford, Choir of New College, Oxford, Edward Higginbottom | F♯ Major | 0 | 2B | 176 BPM | ||
| 3 Dance Episodes from On the Town: No. 2, Lonely Town | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
| Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
| Esti Dal | Zoltán Kodály, Tenebrae | B♭ Major | 0 | 6B | 91 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Peter Grimes, Op. 33, Act II: Interlude III | Benjamin Britten, Edward Gardner, Bergen Philharmonic Orchestra | F Major | 0 | 7B | 58 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
| The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM |