"Keys are it" by Nicholas Bamberger had its release date on June 28, 2015. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Piano Solos". In this album, this song's track order is #7. Keys are it is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Keys are it by Nicholas Bamberger having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shelter | Edward Cross | D♭ Major | 2 | 3B | 128 BPM | ||
| Août | Jonas Hain | C Minor | 1 | 5A | 74 BPM | ||
| When We Know Our Names | Alstad | G Minor | 2 | 6A | 133 BPM | ||
| Into the Abyss | Rabelius | E Minor | 1 | 9A | 181 BPM | ||
| With Love | Thomas Klak | D Minor | 2 | 7A | 44 BPM | ||
| Curriculum | Marius Nitzbon | E♭ Minor | 2 | 2A | 112 BPM | ||
| Love's Grove | Ben Crosland | C Major | 0 | 8B | 99 BPM | ||
| Last Monet | Piano House | D♭ Major | 0 | 3B | 82 BPM | ||
| Zephyr | Jacob LaVallee | G Major | 1 | 9B | 139 BPM | ||
| A Departure | Ben Crosland | D Major | 0 | 10B | 120 BPM | ||
| Aurora | Snow in April | F♯ Minor | 1 | 11A | 178 BPM | ||
| Perpetual | Yannick Lowack | D♭ Minor | 0 | 12A | 73 BPM | ||
| Adieu | Thomas Klak | D♭ Minor | 0 | 12A | 85 BPM | ||
| a bittersweet afternoon | Kjell Sønksen | A Major | 1 | 11B | 148 BPM | ||
| Minor Fable | Luis Berra | C Minor | 0 | 5A | 141 BPM | ||
| Azulejo | Robert Gromotka | A♭ Major | 2 | 4B | 125 BPM | ||
| Crossing Paths | Lake Isabel | D Major | 0 | 10B | 140 BPM | ||
| Sakura | Claudio Constantini | G Minor | 1 | 6A | 139 BPM | ||
| Lover of Flowers | Piano House | A Minor | 0 | 8A | 133 BPM | ||
| Clair de Lune | Claude Debussy, Adrien de la Salle | D♭ Major | 0 | 3B | 72 BPM | ||
| Midnight in Montmartre | Louis Mercier | D Minor | 1 | 7A | 147 BPM | ||
| Papier | Mirko Dukanovic | G Minor | 1 | 6A | 157 BPM | ||
| Hearth in the Quiet | Henri Bentley | D♭ Minor | 1 | 12A | 87 BPM | ||
| Mono and Chrome | Viggo Örn Fisker | C Major | 1 | 8B | 176 BPM | ||
| Black Tulip | Robert Gromotka | A♭ Major | 2 | 4B | 125 BPM |