Yatin Vadhan, Sanjana Ravte's ' "Pavsat Chal Bhijay Jav" was released on its scheduled release date, July 22, 2025. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Pavsat Chal Bhijay Jav only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Pavsat Chal Bhijay Jav's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Pavsat Chal Bhijay Jav by Yatin Vadhan, Sanjana Ravte having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sajana Mi Tujhi Sajani | Pranikt Khune, Sundhya Keshey, Sonali Sonawane | F Minor | 6 | 4A | 92 BPM | ||
| Lover Tuza | Raj Irmali | F Minor | 9 | 4A | 190 BPM | ||
| Aai Gondhalala Ye | Chandan Kamble | B♭ Minor | 8 | 3A | 130 BPM | ||
| Hai Zhumka Vali Por | Bhaiya More, Anjana Barlekar | A♭ Major | 2 | 4B | 76 BPM | ||
| Nishan | Abhir Shelar, Sonali Sonawane | E Major | 7 | 12B | 85 BPM | ||
| Jarashi Jarashi | Harshavardhan Wavare | A♭ Minor | 8 | 1A | 77 BPM | ||
| Hay Jabari Maza Yaar Jigari | Prashant Bhoir | F♯ Minor | 9 | 11A | 159 BPM | ||
| Shakuntala Bai Ga | Dakshata Lokhande, Jagdish Jadhav | C Minor | 9 | 5A | 120 BPM | ||
| Toch Aahe (From "Sridevi Prasanna") | Amitraj, Aarya Ambekar, Harshwardhan Wavare | F Major | 5 | 7B | 91 BPM | ||
| Mogrya Sarkhe Gaal | Animesh Thakur | B♭ Minor | 9 | 3A | 95 BPM | ||
| Jarichya Cholila - Reprise Version | Ajay Kesbhat, Shubhangii Kedar | B♭ Minor | 3 | 3A | 180 BPM | ||
| Kashi Galat Hasali | Raj Irmali, Arohi Prabhudesai | A♭ Major | 7 | 4B | 85 BPM | ||
| Majhi Bayko Hoshil Ka | Harshavardhan Wavare, Sandeep Bhure, Ashish Shinde | A♭ Minor | 10 | 1A | 103 BPM | ||
| Karle Vithai Remix By Dj Vaibhav | Yogesh Agravkar, Shubhangii Kedar, Kumar Divekar | F Major | 10 | 7B | 100 BPM | ||
| Krrish Ka Gana | Yatin Vadhan, Manali khurade | F Minor | 6 | 4A | 92 BPM | ||
| Tu Mala Anguracha | Randive Brothers | D♭ Minor | 8 | 12A | 157 BPM | ||
| Poyari Turavar Nachat Hay | Yatin Vadhan, Sanjana Ravte | G Major | 10 | 9B | 87 BPM | ||
| Aga Aga Pori Faslis Ga | Suresh Wadkar, Jyotsana Hardikar, Rajeev Bhatt | G Major | 8 | 9B | 140 BPM | ||
| Jangatt | Tejas Padave, Kiran Ghanekar, Sonali Sonawane, Keval Walanj | B Major | 10 | 1B | 90 BPM | ||
| Majhi Maina Gavavar Rahili | Anand Shinde | B Major | 6 | 1B | 172 BPM | ||
| Chand Mathyavari | Avadhoot Gupte | D♭ Major | 8 | 3B | 120 BPM | ||
| Anjichya Haldicha - From "Anjichya Haldicha" | Bharti Madhavi, Pravin Kuwar | C Major | 9 | 8B | 89 BPM | ||
| Gan Bai Mogara Ganachi Saree | Sanchita Morajkar | G Major | 10 | 9B | 120 BPM | ||
| Gavri Navari | Parmesh Mali | F♯ Major | 9 | 2B | 95 BPM | ||
| Gallitali Pora | Shubham Satpute, Sonali Sonawane | F♯ Major | 9 | 2B | 170 BPM |