Bernardo Pasquini, Rinaldo Alessandrini's ' "Allemanda III" was released on its scheduled release date, April 1, 1991. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #24. Based on our statistics, Allemanda III's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Allemanda III by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 103 BPM | ||
| Organ Concerto No. 5 in F, Op. 4 No. 5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
| L'Orfeo, SV 318, Act 1: No. 4, Lasciate i monti | Claudio Monteverdi, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Major | 5 | 5B | 82 BPM | ||
| Concerto grosso in F Major Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | ||
| Caino e Abel: Pt. I: Pur ch'Abel viva innocente (Abel, Cain) | Bernardo Pasquini, Gian Paolo Fagotto, Nadia Ragni, Claudio Cavina, Andreana Galante, Furio Zanasi, Teatro Armonico, Il, Alessandro De Marchi | G Major | 1 | 9B | 112 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| Son pur dolci aquei placidi ardori (Live) | Bernardo Pasquini, Margherita Maria Sala, Juan Sancho, Innsbrucker Festwochenorchester, Alessandro De Marchi | C Minor | 3 | 5A | 105 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Signori con licenza (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Margherita Maria Sala, Rupert Charlesworth, Juan Sancho, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | F Major | 2 | 7B | 88 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: I. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | B Major | 3 | 1B | 151 BPM | ||
| Bergamasca | Bernardo Pasquini, Silvia Rambaldi | F♯ Major | 4 | 2B | 97 BPM | ||
| Rosary Sonata No. 1 in D Minor "Mariæ Verkündigung": I. Praeludium | Heinrich Ignaz Franz von Biber, Leila Schayegh, La Centifolia | B Major | 1 | 1B | 170 BPM | ||
| Cuckoo Toccata | Bernardo Pasquini, Igor Kipnis | A Major | 3 | 11B | 143 BPM | ||
| Sonata In C Major, RV 779: Largo e cantabile | Gail Hennessy & Nicholas Parle | A♭ Minor | 0 | 1A | 80 BPM | ||
| Symphony in D Minor, W. I/3: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | E♭ Minor | 1 | 2A | 82 BPM | ||
| La sete di Christo, Pt. 1: E da quai furie mai | Bernardo Pasquini, Francesca Aspromonte, Francisco Fernández-Rueda, Luca Cervoni, Mauro Borgioni, Concerto Romano, Alessandro Quarta | E♭ Minor | 0 | 2A | 78 BPM | ||
| Stabat mater: XIII. Fac me vere tecum flere | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Soft Music on the Rocks | Henry Purcell, Musicians Of The Globe, Philip Pickett | F♯ Minor | 0 | 11A | 81 BPM | ||
| Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
| Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | F♯ Major | 1 | 2B | 105 BPM | ||
| Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 115 BPM | ||
| Aria Amorosa | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Canzona francese in E major, S16 (Arr. for two guitars A. Lagoya) | Bernardo Pasquini, Alexandre Lagoya, Ida Presti | E Minor | 2 | 9A | 132 BPM |