"Beginning Of The Out" by Dryft had its release date on August 8, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 13 in Cell by Dryft. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Beginning Of The Out is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Beginning Of The Out by Dryft is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sounds of the Zodiac | Sounds Of The Zodiac | A♭ Major | 5 | 4B | 136 BPM | ||
| Echo Chamber | EchoFire | B Major | 8 | 1B | 139 BPM | ||
| Algorithm no Good | Alpha Armada | B♭ Minor | 8 | 3A | 120 BPM | ||
| Pale Constellations | Maria Rusu | C Minor | 2 | 5A | 160 BPM | ||
| Following the Moon | Experimental Dance Music Lab | D♭ Major | 4 | 3B | 148 BPM | ||
| Business In My Brain | YelleKrome | D♭ Major | 4 | 3B | 148 BPM | ||
| Sonic Reverie | Trixy | A♭ Minor | 1 | 1A | 80 BPM | ||
| Cosmic Convergence | Voyager 105 | F Minor | 4 | 4A | 90 BPM | ||
| Desire | Ameshi | F♯ Minor | 1 | 11A | 134 BPM | ||
| Until Morning Comes | Boy is Fiction | F Major | 4 | 7B | 132 BPM | ||
| The Long Four | Dryft | E Minor | 5 | 9A | 120 BPM | ||
| Shadowed | BE/HOLD | D♭ Major | 4 | 3B | 148 BPM | ||
| Foots | Manu Sembrano | G Major | 2 | 9B | 56 BPM | ||
| Euphoria | Xixibos | F Minor | 3 | 4A | 130 BPM | ||
| Below Invisible Surfaces | Sundial Aeon | G Major | 7 | 9B | 60 BPM | ||
| Dust - Live | King Creosote | D Minor | 2 | 7A | 72 BPM | ||
| Fria Y Distante | Universos Terrenales | D♭ Minor | 2 | 12A | 90 BPM | ||
| Low Fixture | Dryft | D♭ Major | 4 | 3B | 148 BPM | ||
| Ghost Circuit | Desep Paradox Project | A Minor | 3 | 8A | 130 BPM | ||
| Frosted Leaves | Aube Nebbia | G Major | 7 | 9B | 109 BPM | ||
| Allow | Fox Kraft, Sound of ATEM | G Major | 4 | 9B | 160 BPM | ||
| GLITTER 1-2 | bleac | D♭ Major | 4 | 3B | 148 BPM | ||
| La Gente Esta Sabrosa | Camila Delay | D♭ Major | 4 | 3B | 148 BPM | ||
| Unreal Immersion | Germind | D♭ Major | 4 | 3B | 148 BPM | ||
| What It Could Be | Voyager 105 | B Minor | 2 | 10A | 90 BPM |