Altaf Raja's ' "Bhari Mehfil Mein Dil Hasta Hai" was released on its scheduled release date, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 13 in Ek Dard Sabhi Ko Hota Hai (Shayri) by Altaf Raja. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Bhari Mehfil Mein Dil Hasta Hai is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bhari Mehfil Mein Dil Hasta Hai by Altaf Raja is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ishq Ki Gali | Rahat Fateh Ali Khan, Jayesh Gandhi | F Minor | 6 | 4A | 95 BPM | ||
| Teri Gali Vichchon Langega Janaza Mera | Sonu Nigam | G Minor | 6 | 6A | 109 BPM | ||
| Wo Mujhe Main Use Bhool Jau | Arshad Kamli | B♭ Minor | 10 | 3A | 117 BPM | ||
| Aye Khuda Shukr Tera | Mahendra Kapoor, Bhupinder Singh | E Minor | 5 | 9A | 151 BPM | ||
| Zamane Ki Buraai Mujh Mein Hai Sanam | Vipin Sachdeva | F♯ Major | 7 | 2B | 130 BPM | ||
| Yaad Tumhari Jab Jab Aaye (From "Khoj") | Nitin Mukesh | F♯ Major | 5 | 2B | 74 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Love You Unconditionally | Himesh Reshammiya | C Major | 7 | 8B | 110 BPM | ||
| Tu Mera Meharbaan | Kavita Paudwal | G Minor | 5 | 6A | 120 BPM | ||
| Ab Ke Baar Poonam Mein | Babul Supriyo, Gauri Bapat | E♭ Minor | 5 | 2A | 75 BPM | ||
| Tumne Rakh To Lee Tasveer Hamari | Anuradha Paudwal, Pankaj Udhas | G Major | 8 | 9B | 86 BPM | ||
| Mohabbat Ab Tijarat Ban Gai Hai | Anwar, Laxmikant–Pyarelal | G Minor | 5 | 6A | 127 BPM | ||
| Hai Jindagi Kitni Khubsurat | Kumar Satyam | E Major | 9 | 12B | 116 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM | ||
| Kab Tak Yaad Karoon | Madhusmita, Nikhil Vinay | D♭ Minor | 8 | 12A | 114 BPM | ||
| Kaun Disha Mein Leke Chala - Upbeat | Jaspal Singh, Hemlata | D♭ Minor | 9 | 12A | 114 BPM | ||
| Hum Tere Bin Kahin Reh Nahin Paate | Anuradha Paudwal, Manhar Udhas | A Minor | 5 | 8A | 126 BPM | ||
| Ashqon Ke Leke Dhaare | Attaullah Khan | G Major | 6 | 9B | 120 BPM | ||
| Teri Meherbaniyan | Shabbir Kumar | B♭ Minor | 6 | 3A | 138 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Jis Path Pe Chala | Maratab Ali | A♭ Major | 5 | 4B | 100 BPM | ||
| Agar Tum Na Hote - Male Version | R. D. Burman, Kishore Kumar | F Minor | 7 | 4A | 125 BPM | ||
| Kahan Jaye Koi | Shankar Mahadevan, Preeti Uttam | D♭ Major | 6 | 3B | 104 BPM | ||
| Aashiq Mujhe Aashiq | Roop Kumar Rathod, Alka Yagnik | C Minor | 7 | 5A | 82 BPM | ||
| Barsaat Mein Jab Aayega | Poornima | F♯ Minor | 9 | 11A | 163 BPM |