Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky's ' "Schwanensee, Op. 20: Act III No. 19: Pas de six" was released on its scheduled release date, November 18, 2002. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Schwanensee, Op. 20: Act III No. 19: Pas de six is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Schwanensee, Op. 20: Act III No. 19: Pas de six by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hungarian Dance No. 10 in F - Orchestrated by Brahms | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Minor | 2 | 4A | 137 BPM | ||
| The Sleeping Beauty, Op. 66 : Panorama | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | G Major | 0 | 9B | 131 BPM | ||
| Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | F♯ Minor | 3 | 11A | 178 BPM | ||
| The Sleeping Beauty, Op. 66 : Act II. The Vision And The Sleeping Beauty Awakened: Entr'acte Et Scene | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 2 | 6B | 94 BPM | ||
| 8 Slavonic Dances, Op. 46, B.83: No. 3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
| Fortune Telling (After G. Bizet) | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Minor | 0 | 5A | 83 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16b, Pas de deux de Fanny Elssler. Girl's Solo | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 0 | 6B | 186 BPM | ||
| Johannes Brahms: Sinfonie Nr. 3 F-Dur op. 90 - III. Poco Allegretto | Royal Philharmonic Orchestra, Robert Bachmann | C Minor | 0 | 5A | 81 BPM | ||
| Slavonic Dances, Series I, B. 83: No. 6 in D Major, Sousedská. Allegretto scherzando | Antonín Dvořák, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 133 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| V. Mazurka | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | F♯ Minor | 2 | 11A | 69 BPM | ||
| 踊る人形 | Ede Poldini, Sir Charles Groves, フィルハーモニア管弦楽団 | D Major | 1 | 10B | 87 BPM | ||
| Giselle / Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion) | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 105 BPM | ||
| The Sleeping Beauty, Op. 66 : Pas De Quatre: Introduction | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 1 | 6B | 66 BPM | ||
| La bayadère: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 81 BPM | ||
| Giselle / Act 1: Introduction | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 73 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 1, Introduction - No. 2, Dance of the Cock and Hens | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
| Act III: Variation I. Prince Desire | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F Major | 3 | 7B | 96 BPM | ||
| Romeo and Juliet, Op. 64, Act II: No. 23, Romeo and Mercutio | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | C Minor | 0 | 5A | 83 BPM | ||
| Chabrier: España | Emmanuel Chabrier, Herbert von Karajan, Berliner Philharmoniker | F Major | 3 | 7B | 130 BPM | ||
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
| II. Cinderella and the Prince | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Major | 1 | 8B | 96 BPM | ||
| Act I, 9 Pas de Cinq: Grand Allegro Duet Variation | Édouard Deldevez, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM |