Gwen Stacy's 'I Was Born With Two First Names' had a release date set for April 3, 2009. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "The Life I Know (Special Edition)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. I Was Born With Two First Names is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I Was Born With Two First Names by Gwen Stacy having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fear Will Keep Them In Line | Versus The Mirror | A♭ Major | 10 | 4B | 91 BPM | ||
| The Walls Between Us | Paddock Park | G Minor | 9 | 6A | 174 BPM | ||
| The Challenge of Caring | From A Second Story Window | F Major | 9 | 7B | 91 BPM | ||
| Through Art A Villain | Catherine | A♭ Major | 10 | 4B | 128 BPM | ||
| The Decay | Invocation of Nehek | G Major | 9 | 9B | 114 BPM | ||
| The Grenade in Mouth Tragedy | Remembering Never | F Major | 9 | 7B | 113 BPM | ||
| Incisions | Remembering Never | F♯ Major | 8 | 2B | 149 BPM | ||
| Sleeping In the Train Yard | Gwen Stacy | C Minor | 9 | 5A | 125 BPM | ||
| Comfortable With Corpses | My Bitter End | F♯ Minor | 10 | 11A | 96 BPM | ||
| Daniel, Where's The Boat | Drop Dead, Gorgeous | A♭ Major | 9 | 4B | 88 BPM | ||
| Paraphilia | See You Next Tuesday | B Minor | 9 | 10A | 160 BPM | ||
| Give Her A Pill To Shut Her Up Or Make Her A Mute | Paddock Park | G Major | 9 | 9B | 75 BPM | ||
| Take The Crown | Her Demise My Rise | F♯ Major | 10 | 2B | 135 BPM | ||
| The Last American Cowboy | The Bled | D Major | 9 | 10B | 159 BPM | ||
| Comforting Our Thoughts in a Continuous Blue | House Vs Hurricane | C Minor | 10 | 5A | 82 BPM | ||
| Watching The Lines Blur | Beloved | E Minor | 10 | 9A | 176 BPM | ||
| Better Than This | Salt The Wound | B♭ Minor | 9 | 3A | 128 BPM | ||
| With The Wind At Your Back | Adestria | G Major | 10 | 9B | 85 BPM | ||
| His Name Was Bishop | Oh, Sleeper | G Major | 10 | 9B | 178 BPM | ||
| The Beggar | Catherine | F Major | 10 | 7B | 184 BPM | ||
| Becoming Misfortune | My Bitter End | F♯ Minor | 10 | 11A | 106 BPM | ||
| Bad News | Ligeia | F♯ Major | 10 | 2B | 135 BPM | ||
| Life As A Criminal | Versus The Mirror | A♭ Major | 10 | 4B | 156 BPM | ||
| Never Meant To Break Your Heart | Underoath | G Major | 9 | 9B | 84 BPM | ||
| 10 Signs You Should Leave | Emmure | F♯ Major | 10 | 2B | 91 BPM |