Federigo Fiorillo, Julia Girdwood, City of London Sinfonia, Nicholas Ward's 'Sinfonia Concertante in F Major: II. Rondo: Allegretto' had a release date set for November 19, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in City of London Sinfonia's "Italian Oboe Concertos, Vol. 1" album is number 8 out of 18. Based on our statistics, Sinfonia Concertante in F Major: II. Rondo: Allegretto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia Concertante in F Major: II. Rondo: Allegretto by Federigo Fiorillo, Julia Girdwood, City of London Sinfonia, Nicholas Ward to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flute Concerto No. 1 in G Major, K. 313: i. Allegro maestoso | Mozart, Julius Baker, I Solisti di Zagreb | G Major | 2 | 9B | 117 BPM | ||
| Symphony No. 12 in D Major: II. Adagio ma non troppo | William Herschel, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 126 BPM | ||
| Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Affettuoso | Georg Philipp Telemann, Kolner Kammerorchester, Helmut Müller-Brühl | C Minor | 0 | 5A | 81 BPM | ||
| Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
| II. Allegro moderato | Bernhard Henrik Crusell, Jaakko Luoma, Tapiola Sinfonietta, Janne Nisonen | B♭ Major | 0 | 6B | 87 BPM | ||
| Oboe Concerto in F Major: Rondeau in F | Antonio Rosetti, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 1 | 7B | 89 BPM | ||
| Symphony in B-Flat Major: III. Presto | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | F Major | 3 | 7B | 126 BPM | ||
| Concerto for oboe and strings: IV. Allegro | Giovanni Battista Pergolesi, Brynjar Hoff, Ian Watson, English Chamber Orchestra | G Major | 2 | 9B | 119 BPM | ||
| Concerto for 2 Oboes in C Major, Op. 7, No. 11: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | E Major | 2 | 12B | 74 BPM | ||
| Viola Concerto in D Major: III. Rondo. Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | C Minor | 1 | 5A | 111 BPM | ||
| San Francesco di Sales: Sinfonia | Francesco Feo, Stuttgart Chamber Orchestra, Fabio Biondi | D Major | 1 | 10B | 137 BPM | ||
| Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 93 BPM | ||
| Concerto grosso in D minor, Op. 3, No. 5: 4. Allegro, ma non troppo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 74 BPM | ||
| Reutter: Servizio di tavola | Johann Georg Reutter, Theodor Guschlbauer, The Wiener Barockensemble | C Major | 2 | 8B | 111 BPM | ||
| Rameau: Dardanus, Act 4: Entrée des songes | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 70 BPM | ||
| Amarilli mia bella | Robert Dowland, The Royal Wind Music, Paul Leenhouts | A♭ Minor | 0 | 1A | 66 BPM | ||
| Symphony in C Major, Op. 35 No. 1: III. Menuetto un poco allegretto - Trio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 94 BPM | ||
| Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: III. Allegro molto | Johann Christian Bach, Concerto Köln | F♯ Minor | 2 | 11A | 96 BPM | ||
| Telemann: Concerto for Oboe and Violin, TWV 52:c1: III. Adagio (Formerly Attributed to Vivaldi as RV Anh. 17) | Georg Philipp Telemann, Jaap Schröder, Michel Piguet, Concerto Amsterdam | F♯ Minor | 3 | 11A | 101 BPM | ||
| Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": VI. Le Galop de Rosinante / Celui d'Ane de Sanche | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | E♭ Major | 2 | 5B | 122 BPM | ||
| Concerto grosso in G, Op. 3, No. 3: 1. Largo e staccato | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | D Major | 2 | 10B | 85 BPM | ||
| Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | A♭ Major | 1 | 4B | 81 BPM | ||
| Zimmermann: Concerto for Two Bassoons - III. Allegro in F Major: III. Allegro | Anton Zimmermann, Risonanza Praga, Ondřej Šindelář, Sergio Azzolini | A♭ Major | 0 | 4B | 81 BPM | ||
| Symphony No. 12 in E Major, Hob. I:12: II. Adagio | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | C Minor | 0 | 5A | 101 BPM |