"Senza nisciuno" by Franco Ferraris, Sinfonia Of London, Franco Corelli had its release date on 1996. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 45 in the song's album "Neapolitan Songs, Sacred Songs & Arias". In this album, this song's track order is #4. In terms of popularity, Senza nisciuno is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Senza nisciuno by Franco Ferraris, Sinfonia Of London, Franco Corelli having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mefistofele: "Dai campi, dai prati" | Arrigo Boito, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | G Major | 3 | 9B | 84 BPM | ||
| The Barber of Seville, Act I Scene 2: La calunnia è venticello (Basilio) | Gioachino Rossini, James Levine, London Symphony Orchestra | D Major | 2 | 10B | 76 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Andrea Chénier: Come un bel dì di maggio | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F♯ Minor | 2 | 11A | 91 BPM | ||
| La boheme: Act IV: O Mimi, tu piu non torni (Rodolfo, Marcello) | Giacomo Puccini, Giuseppe Di Stefano, Maria Callas, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Carlo Badioli, Anna Moffo, Franco Ricciardi, Eraldo Coda, Carlo Forti, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 3 | 9B | 84 BPM | ||
| La fanciulla del West, Act III: Ch'ella mi creda | Giacomo Puccini, Plácido Domingo, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden | G Major | 3 | 9B | 84 BPM | ||
| La serenata | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | F Major | 3 | 7B | 96 BPM | ||
| Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
| Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
| Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
| Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
| De Curtis / Arr. Lozi: Tu, ca nun chiagne (Live) | Ernesto de Curtis, José Carreras, Zubin Mehta, Los Angeles Philharmonic | D Minor | 3 | 7A | 90 BPM | ||
| Vissi d'arte (Tosca) | Renata Tebaldi, Orchestre de la Suisse Romande | E♭ Major | 2 | 5B | 101 BPM | ||
| La Traviata: "Libiamo Libiamo" | Enrico Caruso | B♭ Major | 3 | 6B | 103 BPM | ||
| Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
| Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
| Voglio vivere così | Giovanni D'Anzi, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch | D Major | 3 | 10B | 90 BPM | ||
| Verdi: Il trovatore, Act 3: "Di quella pira" (Manrico, Ruiz, Leonora, Chorus) | Giuseppe Verdi, Thomas Schippers, Angelo Mercuriali, Franco Corelli, Gabriella Tucci, Orchestra Del Teatro Dell'Opera Di Roma | C Major | 4 | 8B | 59 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| Rigoletto, Act II: Povero Rigoletto! | Giuseppe Verdi, Virginio Carbonari, Ettore Bastianini, Matteo Guagni, Giuseppe Morresi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni | G Major | 3 | 9B | 84 BPM | ||
| El Último Romántico: "Bella Enamorada" | Gran Orquesta Sinfonica | E Major | 1 | 12B | 91 BPM | ||
| La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
| Rigoletto / Act 2: "Parmi veder le lagrime" | Giuseppe Verdi, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes | D♭ Major | 2 | 3B | 167 BPM | ||
| Lamento Di Federico | Francesco Cilea, KIM HOJOONG | A Minor | 2 | 8A | 134 BPM | ||
| Granada | Agustín Lara, José Carreras, English Chamber Orchestra, Roberto Benzi | C Minor | 3 | 5A | 112 BPM |