"What Becomes Of The Broken Hearted" by Indra Rios-Moore had its release date on February 16, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Indra Rios-Moore's "Heartland" album is number 4 out of 11. On top of that, France appears to be the country where this track was created. Based on our statistics, What Becomes Of The Broken Hearted's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of What Becomes Of The Broken Hearted by Indra Rios-Moore to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucky | Molly Johnson | A♭ Major | 4 | 4B | 118 BPM | ||
| Throw It Away | Ayọ | B♭ Major | 3 | 6B | 112 BPM | ||
| I Love Paris | Peter Cincotti | G Minor | 6 | 6A | 139 BPM | ||
| Worrisome Heart | Melody Gardot | D Minor | 3 | 7A | 75 BPM | ||
| Close to You | Rigmor Gustafsson, Jacky Terrasson Trio | D♭ Major | 1 | 3B | 94 BPM | ||
| Back to Black | Jacqui Naylor | D♭ Minor | 4 | 12A | 81 BPM | ||
| Alone Together | Lara Louise, Grant Levin | B Minor | 6 | 10A | 85 BPM | ||
| My One and Only | Robin Mckelle | A Major | 5 | 11B | 124 BPM | ||
| Fly Like an Eagle | Friend 'N Fellow | G Major | 6 | 9B | 124 BPM | ||
| Fever | Lara Louise | F♯ Major | 2 | 2B | 98 BPM | ||
| Five Feet Tall | Lady Blackbird | B♭ Major | 1 | 6B | 82 BPM | ||
| Black Trombone | Térez Montcalm | B Minor | 3 | 10A | 97 BPM | ||
| Bessie's Advice | Eric Bibb, Rory Block, Maria Muldaur | G Major | 9 | 9B | 174 BPM | ||
| All Gone | Micatone | B Major | 2 | 1B | 73 BPM | ||
| Bienvenue dans ma vie | Nikki Yanofsky | F Minor | 4 | 4A | 144 BPM | ||
| Every Little Bit Hurts | Ida Sand | C Major | 3 | 8B | 117 BPM | ||
| The Beat Goes On | Patricia Barber | G Major | 1 | 9B | 103 BPM | ||
| Hound Dog | Dee Dee Bridgewater | B Minor | 5 | 10A | 140 BPM | ||
| St. Lewis Blues | Peter Cincotti | D♭ Major | 6 | 3B | 206 BPM | ||
| Hesitation Blues | Dida Pelled | A Major | 2 | 11B | 98 BPM | ||
| Centerpiece | Roberta Gambarini | D♭ Major | 4 | 3B | 120 BPM | ||
| Both Sides Now | Friend 'N Fellow | D♭ Major | 1 | 3B | 140 BPM | ||
| Crazy | Cassandra Wilson | D♭ Major | 1 | 3B | 167 BPM | ||
| Route 66 | Carol Welsman | F Minor | 3 | 4A | 137 BPM | ||
| Be My Lover | Brenda Boykin | D♭ Major | 6 | 3B | 130 BPM |