Since By Man Came Death by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra Song Details

"Since By Man Came Death" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra had its release date on January 1, 1987. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Since By Man Came Death's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 23 out of 54. On top of that, United States appears to be the country where this track was created. Since By Man Came Death is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Since By Man Came Death by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Music Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -23.579 dB
Acousticness: 98%
Danceability: 28%
Energy: 2%
Instrumentalness: 1%
Liveness: 14%
Loudness: 61%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Rejoice Greatly, O Daughter Of Zion - Live	George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra	B♭ Major	0	6B	111 BPM
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O Come, All Ye Faithful	Choir of King's College, Cambridge, Andrew Davis, Sir David Willcocks	G Major	3	9B	82 BPM
Messiah HWV56, PART 1: O thou that tellest (alto air: Andante)	George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Alice Coote	D♭ Major	1	3B	87 BPM
Messiah, HWV 56, Pt. 2: No. 26, Chorus. All We Like Sheep Have Gone Astray	George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner	F Major	2	7B	121 BPM
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The Crown of Roses	Pyotr Ilyich Tchaikovsky, Rodolfus Choir, Ralph Allwood	E Minor	1	9A	75 BPM
L'enfance du Christ, H 130 - Arr. Chris Hazell: L'adieu des bergers	Hector Berlioz, Renée Fleming, London Voices, Royal Philharmonic Orchestra, Andreas Delfs	F Major	1	7B	81 BPM
Gloria: Domine Deus, Agnus Dei	Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	D♭ Minor	0	12A	179 BPM
Magnificat, BWV 243a: Magnificat, BWV 243a: XI. Deposuit potentes	Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe	F♯ Minor	2	11A	102 BPM
In The Bleak Midwinter	Gustav Holst, Christina Rossetti, Tenebrae, Nigel Short	F Major	0	7B	139 BPM
Messiah / Part 2: "Unto Which Of The Angels...Let All The Angels"	George Frideric Handel, Paul Elliott, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood	D♭ Major	3	3B	114 BPM
O magnum mysterium	Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt	D Major	0	10B	105 BPM
Mozart: Mass No. 15 in C Major, K. 317 "Coronation Mass": VI. Agnus Dei	Wolfgang Amadeus Mozart, Peter Neumann, Christoph Prégardien, Franz-Josef Selig, Kölner Kammerchor, Patrizia Kwella, Ulla Groenewold, Collegium Cartusianum	F Major	1	7B	87 BPM
In Paradisum	The Cambridge Singers	D Major	1	10B	61 BPM
XLI. the trumpet shall sound	London Philharmonic Orchestra	D Major	3	10B	123 BPM
Messiah, HWV 56 / Pt. 1: O Thou That Tellest Good Tidings To Zion	George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Alfreda Hodgson	D Major	2	10B	87 BPM
Sanctus from Requiem	Gabriel Fauré, Mormon Tabernacle Choir, Jerold D. Ottley, Columbia Symphony Orchestra	E♭ Major	0	5B	121 BPM
Magnificat in D Major, BWV 243: I. Magnificat	Johann Sebastian Bach, Siri Karoline Thornhill, Mira Graczyk, Sophia Körber, Anna Karmasin, Theresa Holzhauser, Florence Losseau, Markus Schäfer, Robert Sellier, Andreas Mattersberger, Niklas Mallmann, Concerto de Bassus, Franz Hauk	A♭ Major	1	4B	93 BPM
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A Spotless Rose	Herbert Howells, The King's Singers	G Major	0	9B	175 BPM
The Lamb	John Tavener, Stephen Cleobury, Choir of King's College, Cambridge	G Major	0	9B	143 BPM
O Magnum Mysterium	Nordic Chamber Choir - Nicol Matt	D Major	0	10B	140 BPM