On July 1, 2004, the song "Comentry" was released by Sri Hari Atchutha Rama Sastry. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Comentry's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 8 in Aditya Hrudayam by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Comentry is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Comentry by Sri Hari Atchutha Rama Sastry is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sri Suktham | Sri Hari Atchutha Rama Sastry | A♭ Minor | 3 | 1A | 142 BPM | ||
| Sri Varahi Nigrahastakam | Bhandhavi | B♭ Minor | 7 | 3A | 112 BPM | ||
| Mandra Pushpam | M.Ramani Sastrigal | F♯ Major | 6 | 2B | 120 BPM | ||
| Naag Shanti Stotram | Mangesh Borgaonkar | G Major | 7 | 9B | 96 BPM | ||
| Kalki Stuthi 2 | V. Ramakrishna | F Minor | 2 | 4A | 88 BPM | ||
| Mangalam Jaya | Gayathri Girish, Team | F♯ Major | 4 | 2B | 105 BPM | ||
| Sri Mahalakshmi Ashtakam | Parupalli Sri Ranganath | C Major | 3 | 8B | 79 BPM | ||
| Sri Varahi Kavacham | Bhandhavi | A Major | 2 | 11B | 109 BPM | ||
| Saptshati Paaraayana Sankalpam | S.Prakash Kaushik | F♯ Major | 3 | 2B | 83 BPM | ||
| Maruti Stotraa | Rajendra Vaishampayan & Natasha Dias | F Major | 3 | 7B | 84 BPM | ||
| Chapter 7: Jnaana Vignaana Yoga | Sri Ganapathy Sachchidananda Swamiji | C Major | 1 | 8B | 179 BPM | ||
| Pooja Saamagri | Sri Hari Atchutha Rama Sastry | F Major | 1 | 7B | 169 BPM | ||
| Narayana Sooktam | Puttur Narasimha Nayak, Kalyana Raman, Chandan Nallal | A♭ Major | 7 | 4B | 74 BPM | ||
| Saraswati Dwadasha Stotram | Trupti Dave, Mayuri Baror, Mayur Vaghela | B Major | 4 | 1B | 102 BPM | ||
| Laxmi Suktam | Dixit Guru | E Major | 5 | 12B | 77 BPM | ||
| Deham | Grihsam | E♭ Minor | 1 | 2A | 80 BPM | ||
| Lakshmi Astothora Sathanama.Sto. | Srikanth Sharma | E Major | 3 | 12B | 78 BPM | ||
| Ganesha Bhujangam | Ganesan | A Minor | 2 | 8A | 74 BPM | ||
| Chamakam | G Srinivasa Sastri - Swaminatha Ganapadigal | B♭ Major | 3 | 6B | 137 BPM | ||
| Sri Batuka Bhairava Kavacham | Bhandhavi | A♭ Major | 3 | 4B | 92 BPM | ||
| Shivopasana Mantra Nidhana Pataye Namaha | Sri Sathya Sai Official | A♭ Major | 6 | 4B | 101 BPM | ||
| Sri Nrisimha Mangalam | T. S. Ranganathan | C Major | 4 | 8B | 91 BPM | ||
| Lakshmi Ashtotharam | Nitya Santoshini, Gayathri | D Minor | 2 | 7A | 126 BPM | ||
| Shendur Laal Chadhaayo Achchha Gajamukha KO | Shraddha Jain | C Major | 8 | 8B | 170 BPM | ||
| Swami Samarth Stavan | Dhanashree Deshpande | B♭ Major | 2 | 6B | 138 BPM |