"Lakhon Hain Yahan Dilwale - Instrumental" by Ritesh K Narain had its release date on January 7, 2024. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Lakhon Hain Yahan Dilwale - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Open Stage Melodies, Vol. 47". In this album, this song's track order is #13. Furthermore, we believe that the track originated from India. In terms of popularity, Lakhon Hain Yahan Dilwale - Instrumental is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lakhon Hain Yahan Dilwale - Instrumental by Ritesh K Narain having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Salsibai Ni Boyar Kwchang | Sourabhee Debbarma, Parmita Reang, Tamal Tripura | G Minor | 8 | 6A | 85 BPM | ||
| Kuku Dubur Mala Potam | Santali Romeo, Baha Hansdah | C Major | 9 | 8B | 95 BPM | ||
| Bittu Bande Nee | Ju.Shivarajkumar, Mangala | G Major | 7 | 9B | 80 BPM | ||
| Dushmani Hogi | K. S. Chithra | G Major | 7 | 9B | 84 BPM | ||
| Laage Laage | Mamta Sahu | F Minor | 9 | 4A | 157 BPM | ||
| A Fagun Nonka | SANTHALI AKHARA | E Minor | 7 | 9A | 122 BPM | ||
| Jawaniyan Yeh Mast Mast - Instrumental | Ritesh K Narain | F Major | 4 | 7B | 107 BPM | ||
| Nee Amrithadhare | Harish Raghavendra | G Major | 6 | 9B | 126 BPM | ||
| Mooridiruva Kolalu | Archana Udupa,V.Nagendra Prasad | G Major | 6 | 9B | 174 BPM | ||
| Muriye Mounana (From "Boyfriend") | Rajesh Krishnan, Nanditha, K. M. Indra | G Minor | 7 | 6A | 170 BPM | ||
| Badi Door Se Aaye Ho | Priya | A Minor | 7 | 8A | 80 BPM | ||
| Rahen Na Rahen - Instrumental | Ritesh K Narain | E Minor | 5 | 9A | 81 BPM | ||
| Rayabhariyagi Naaniruve (From "PYAAR") | Vijay Prakash, Anitha Sa Ra Mahesh, Palani D Senapathy, Pramod Maravanthe | A♭ Major | 7 | 4B | 94 BPM | ||
| A Rani Karke Bahana Ge - REMASTERED | PAAGAL | D♭ Minor | 8 | 12A | 76 BPM | ||
| Tera Saath Hai To | Sadhana Sargam | G Major | 6 | 9B | 114 BPM | ||
| Jai Jai Shiv Shankar | Ravindra Jain, Shankar Mahadevan | D Minor | 8 | 7A | 130 BPM | ||
| Kya Khoob Lagti Ho | Sumeet Dhamija | B Minor | 5 | 10A | 120 BPM | ||
| Oriye Oriye Madhu Chuve | Pawan Singh, Anuja | F Major | 6 | 7B | 120 BPM | ||
| O Re Babuaa | Jaspal Singh | B Minor | 7 | 10A | 87 BPM | ||
| Bangara Gindi | Music Mailari | E Major | 5 | 12B | 114 BPM | ||
| Jatajoot Shiv Vedsaar | Anni Sharma | A♭ Major | 7 | 4B | 94 BPM | ||
| Harasayya | B. R. Chaya | D♭ Major | 5 | 3B | 90 BPM | ||
| Hame Shyam Pyare Hai Teri Jarurat | Sanjay Mittal | A Minor | 6 | 8A | 132 BPM | ||
| Thirike - Instrumental | Bijibal | F Major | 7 | 7B | 80 BPM | ||
| Ye Diwana Kahe | Sheikh Ameen, Alka Chandrakar | A♭ Major | 7 | 4B | 103 BPM |