Harikrishna Patel's ' "Karan Rup Kahave" was released on its scheduled release date, March 1, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 10 in Chale Gaj Baith Ke Maharaja Swaminarayan Kirtan by Manoj, Vimal, Harikrishna Patel. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Karan Rup Kahave's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Karan Rup Kahave by Harikrishna Patel is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Traipuraagra Vaase | Sri Ganapathy Sachchidananda Swamiji | F♯ Minor | 5 | 11A | 170 BPM | ||
| Hey Ananthnath Sai Tum Ho Antaryami | Sri Sathya Sai Bhajans | B♭ Major | 6 | 6B | 140 BPM | ||
| Kevu Chhe Mahant Swami | BAPS Swaminarayan Sanstha | F Minor | 9 | 4A | 141 BPM | ||
| Swaminarayan Narayan | Harikrishna Patel | D♭ Major | 8 | 3B | 103 BPM | ||
| Jivo Varsh Hajāro Hajār | BAPS Swaminarayan Sanstha | F Minor | 9 | 4A | 141 BPM | ||
| Stuti | Shree Swaminarayan Temple Bhuj | A♭ Major | 3 | 4B | 99 BPM | ||
| Ras Bhina Rai Ranchod | Nidhi Dholakiya | F Minor | 9 | 4A | 141 BPM | ||
| Mandir Aavo Manigar | Rajkot Gurukul | E♭ Minor | 6 | 2A | 76 BPM | ||
| Janma Gele Yache | Vishnubua Vavnjekar | D♭ Major | 6 | 3B | 96 BPM | ||
| AAICHA JOGWA MAGEN | Mahesh Hiremath | B♭ Major | 9 | 6B | 105 BPM | ||
| Lili Chundadi Odhi Re Nisrya | Master Rana | F Minor | 6 | 4A | 90 BPM | ||
| Chopai Raga Shivranajni | Jignesh Tilavat | C Major | 4 | 8B | 140 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Bhimrupi Maharudra Stotra | Sameer Vijaykumar | D♭ Major | 4 | 3B | 163 BPM | ||
| Vitthal Maza Maza | Mahesh Hiremath, Shubhangi Jhoshi | B Major | 5 | 1B | 86 BPM | ||
| Naiya Laga Do Bhav Paar | Dheera Ghosh | D♭ Major | 6 | 3B | 144 BPM | ||
| Dash Divash Ni Maya Lagadi | Gagan Jethva | F Minor | 2 | 4A | 126 BPM | ||
| Maje Kuldevata Tu Khandu Deva | Shankar Patil | F♯ Major | 6 | 2B | 75 BPM | ||
| Swami Shakti | Yogesh Tapasvi | A♭ Major | 6 | 4B | 82 BPM | ||
| Shri Mahakaleshwar Aarti Traditional | Binay Pathak, Chorus | E♭ Major | 8 | 5B | 144 BPM | ||
| Aksharna Vasi Vhalo | Harikrishna Patel | A♭ Major | 4 | 4B | 135 BPM | ||
| Panya Nighali Gavlan | Suryakant Shinde | F Minor | 9 | 4A | 141 BPM | ||
| Dil Lagi Jo Kar Qadar | Fozia Soomro | B Major | 5 | 1B | 111 BPM | ||
| Dada Kashtbhanjan Mari Vare Vela Aavo | Lalita Ghodadra, Arvind Barot | B Minor | 10 | 10A | 107 BPM | ||
| Gafil Mat Rehna Beta | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 93 BPM |