- BPM
- 184
- Key
- B♭ Minor
- Camelot
- 3A
Stabat Mater: Stabat Mater: II. Cujus animam gementem by Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss Song Details
"Stabat Mater: Stabat Mater: II. Cujus animam gementem" by Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss had its release date on March 10, 2014. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Poulenc: Stabat Mater". In this album, this song's track order is #9. The popularity of Stabat Mater: Stabat Mater: II. Cujus animam gementem is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Stabat Mater: Stabat Mater: II. Cujus animam gementem by Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss having a BPM of 184 with a half-time of 92 BPM and a double-time of 368 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Music Key
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -10.873 dB
- Acousticness
- 97%
- Danceability
- 22%
- Energy
- 28%
- Instrumentalness
- 16%
- Liveness
- 12%
- Loudness
- 82%
- Speechiness
- 6%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | |
 | Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
 | Je te veux | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 103 BPM | |
 | Chabrier: Habanera | Emmanuel Chabrier, Pierre Barbizet | F Major | 1 | 7B | 118 BPM | |
 | 4 Piano Pieces, Op. 119: No. 1, Intermezzo in B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | |
 | 8 Gedichte, Op. 10, TrV 141: No. 8, Allerseelen (Arr. Reger) | Richard Strauss, Angela Hewitt | G Major | 2 | 9B | 115 BPM | |
 | Enescu: Octet in C Major, Op. 7: III. Lentement | George Enescu, Vilde Frang | E Major | 1 | 12B | 89 BPM | |
 | Consolations, S. 172: No. 6 in E Major. Allegretto sempre cantabile | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 72 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | |
 | Dolly Suite, Op. 56: III. Le Jardin de Dolly | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Minor | 0 | 12A | 60 BPM | |
 | 12 Etudes d'execution transcendante, Op. 11: No. 1 Lullaby | Sergei Lyapunov, Konstantin Scherbakov | F♯ Major | 0 | 2B | 90 BPM | |
 | Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | |
 | Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | |
 | Glinka / Arr Balakirev : The Lark | Mikhail Glinka, Izumi Tateno | B♭ Minor | 1 | 3A | 65 BPM | |
 | Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | |
 | Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | |
 | Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | |
 | Romance in F Major for Viola and Orchestra, Op. 85 | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | F Major | 1 | 7B | 99 BPM | |
 | Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 65 BPM | |
 | Holberg Suite, Op. 40: II. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 87 BPM | |
 | Piano Sonata In F Minor, P. 16: III. Allegretto | Ottorino Respighi, Konstantin Scherbakov | B♭ Minor | 1 | 3A | 98 BPM | |
 | Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | |
 | Impresiones intimas: V. Secreto (Secret) | Federico Mompou, Olena Kushpler | D♭ Major | 0 | 3B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records