Wilson Phillips's ' "Hotel California - Live In Japan" was released on its scheduled release date, May 23, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wilson Phillips's "Greatest Hits" album is number 11 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, Hotel California - Live In Japan's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Hotel California - Live In Japan by Wilson Phillips to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flesh And Blood - Single Edit | Wilson Phillips | D Major | 3 | 10B | 142 BPM | ||
| New Kid In Town | JD Souther | E Major | 5 | 12B | 108 BPM | ||
| Don't Stop Believin' | Starship | E Major | 8 | 12B | 119 BPM | ||
| You Oughta Know | Alanis Morissette | E Major | 6 | 12B | 94 BPM | ||
| Goodbye To Romance | Lisa Loeb, Dweezil Zappa | D Major | 5 | 10B | 139 BPM | ||
| Anything for You | Miami Sound Machine | F♯ Major | 4 | 2B | 144 BPM | ||
| Billy Jean | Corey Glover, Phil Campbell | F♯ Major | 8 | 2B | 117 BPM | ||
| Thank U - Live at London’s O2 Shepherd’s Bush Empire, 2020 | Alanis Morissette | C Major | 3 | 8B | 172 BPM | ||
| We Could Be Together | Debbie Gibson | E♭ Major | 8 | 5B | 135 BPM | ||
| Can't Help Falling In Love | Corey Hart | A Major | 1 | 11B | 132 BPM | ||
| Alone | Wilson Phillips | C Major | 3 | 8B | 79 BPM | ||
| Love the Way You Lie | Go West | F Major | 2 | 7B | 166 BPM | ||
| Pale Shelter - Demo Version - 2008 Re-Master Version | Paul Young | C Major | 4 | 8B | 122 BPM | ||
| In the Still of the Night (I'll Remember) | Debbie Gibson | G Minor | 9 | 6A | 140 BPM | ||
| Goodbye Carmen | Wilson Phillips | F Major | 4 | 7B | 105 BPM | ||
| Have You Ever Seen the Rain | Belinda Carlisle | C Major | 9 | 8B | 123 BPM | ||
| Sleeping in My Car - Live from Santiago 2012 | Roxette | F♯ Major | 9 | 2B | 136 BPM | ||
| Eight Days a Week | Procol Harum | E Major | 6 | 12B | 129 BPM | ||
| You're Still The One - Live | Shania Twain | E♭ Major | 7 | 5B | 134 BPM | ||
| Release Me | Wilson Phillips | C Major | 5 | 8B | 97 BPM | ||
| Take It as a Compliment | Karolyn Marie | G Minor | 3 | 6A | 125 BPM | ||
| Are You Strong Enough to Be My Man | Cross Country | D Major | 5 | 10B | 77 BPM | ||
| I Don't Want to Wait - Live | Paula Cole | F♯ Major | 4 | 2B | 136 BPM | ||
| Did We Not Choose Each Other | Sophie B. Hawkins | B Major | 6 | 1B | 147 BPM | ||
| Heroes | Janelle Monáe | D Major | 7 | 10B | 120 BPM |