Mohammed Rafi's ' "Ae Musabbir Mere Mehboob Ki Tasveer" was released on its scheduled release date, January 1, 1973. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Ratandeep - Hemraj, Tajdar Taj's "Insaan Aur Insaan" album is number 1 out of 3. On top of that, India appears to be the country where this track was created. In terms of popularity, Ae Musabbir Mere Mehboob Ki Tasveer is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ae Musabbir Mere Mehboob Ki Tasveer by Mohammed Rafi to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Commentary And Gunche Lage Hain Kahne | Shailendra Singh, Ameen Sayani | G Major | 6 | 9B | 80 BPM | ||
| Suvtiyo | Champa Methi | A♭ Major | 4 | 4B | 158 BPM | ||
| Nana Ho Gaya Diwana | Mahendra Kapoor, Hariharan, R. D. Burman | A♭ Major | 2 | 4B | 134 BPM | ||
| Mera Ban Jaye Koi | Mohammed Rafi | A♭ Major | 7 | 4B | 75 BPM | ||
| Chat Ke Oopar Do Kabootar | Sudesh Bhosle, Manhar Udhas, Sonali Vajpayee, Sapna Mukherjee | G Minor | 7 | 6A | 98 BPM | ||
| Aalsi Sawan Badri Udaye (with Commentary) | Bhupen Hazarika, Gulzar | B Minor | 5 | 10A | 136 BPM | ||
| Yeh Dil Tera Hi Tha | Mahendra Kapoor, Ranu Mukherjee, Asha Bhosle | B♭ Major | 4 | 6B | 92 BPM | ||
| Shri Bhairav Chalisa | Tripti Shakya | E Major | 5 | 12B | 182 BPM | ||
| Ab Main Naachungi | Kavita Krishnamurthy | E Major | 8 | 12B | 140 BPM | ||
| Is Se Jyada Dukh Na Koi | Ghulam Mustafa Khan | D Major | 8 | 10B | 197 BPM | ||
| Jamuna Mein Kude Shyam | Piyusha-Kailash Anuj | A♭ Minor | 6 | 1A | 100 BPM | ||
| O Aayee Aayee Re (Sad) | Suresh Wadkar | G Major | 4 | 9B | 149 BPM | ||
| Tu Mere Paas Hai | Anwar Hussain, Asha Bhosle, Laxmikant–Pyarelal | G Minor | 4 | 6A | 124 BPM | ||
| Tomar Chokhe Dekhechhi Je - Bauma / Soundtrack Version | Mohammed Aziz | B♭ Major | 4 | 6B | 69 BPM | ||
| Meri Rani Mat Ja | Mohammed Rafi, Preeti | A Minor | 7 | 8A | 107 BPM | ||
| Phool Gendva Na Maro (Dooj Ka Chand) - Commentary | Manna Dey, Ameen Sayani | A Major | 3 | 11B | 126 BPM | ||
| Soja Re Soja | Anup Jalota, Jyotsna Dixit, Reddy | B Minor | 3 | 10A | 140 BPM | ||
| Baje Naad Charon Or | Suresh Wadkar | A♭ Major | 8 | 4B | 140 BPM | ||
| Ae Phool Bataungi Unke Aane Se | Sujata Chakraborty, Vinod Kumar | C Major | 5 | 8B | 80 BPM | ||
| Shiv Jayanti Phir Hai Aai | Brahma Kumari | G Minor | 5 | 6A | 78 BPM | ||
| Sindbad Dharti Azad Hai | Chitragupta, Mohammed Rafi | A♭ Minor | 4 | 1A | 74 BPM | ||
| Raat Muraadonwali | Mohammed Aziz, Kavita Krishnamurthy | G Major | 6 | 9B | 104 BPM | ||
| Jane Chaman Shola Badan | Sharda, Mohammed Rafi | D Minor | 6 | 7A | 105 BPM | ||
| Suhani Raat Dhal Chuki | Naushad, Mohammed Rafi | G Major | 4 | 9B | 123 BPM | ||
| Commentry And Hum Tum Yeh Bahar Dekho Rang Laya | Lata Mangeshkar, Mohammed Rafi, Ameen Sayani | A♭ Major | 4 | 4B | 149 BPM |