"The Interrogation" by Harry Gregson-Williams, Stephanie Economou had its release date on February 3, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Harry Gregson-Williams, Stephanie Economou's "Manhunt: Deadly Games (Music from the Original TV Series)" album is number 5 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Interrogation is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of The Interrogation by Harry Gregson-Williams, Stephanie Economou to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clary's Theme | Atli Örvarsson | D Minor | 1 | 7A | 95 BPM | ||
| The Lost Cities | Johannes Bornlöf | E Major | 2 | 12B | 73 BPM | ||
| On the Run | Joseph Trapanese | G Minor | 1 | 6A | 74 BPM | ||
| More Baggy Wrinkles | David Hirschfelder | F Major | 4 | 7B | 80 BPM | ||
| The Battle Room | Steve Jablonsky | G Minor | 3 | 6A | 138 BPM | ||
| Bumblebee | Steve Jablonsky | D Minor | 2 | 7A | 152 BPM | ||
| An Ideal Marriage | The Chamber Orchestra Of London | G Minor | 2 | 6A | 107 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Theme for Rohan | Chance Thomas | C Minor | 1 | 5A | 82 BPM | ||
| The Legend Begins | Marc Streitenfeld | F Major | 2 | 7B | 67 BPM | ||
| Obliviate | Alexandre Desplat | C Major | 2 | 8B | 150 BPM | ||
| The Center Of The Earth | Andrew Lockington | G Major | 1 | 9B | 80 BPM | ||
| Pure spirits of the forest | James Horner | C Major | 0 | 8B | 97 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | C Major | 1 | 8B | 103 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| Victoria & Abdul | Thomas Newman | B Minor | 1 | 10A | 80 BPM | ||
| Alive And Together | Junkie XL | C Major | 1 | 8B | 70 BPM | ||
| Other Sorts of Scars | Thomas Newman | E♭ Major | 0 | 5B | 88 BPM | ||
| The Journey to the Grey Havens (feat. Sir James Galway) | Howard Shore | A Major | 0 | 11B | 70 BPM | ||
| Arpeggio Theme | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| Beth's Story | Carlos Rafael Rivera | E♭ Major | 1 | 5B | 100 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM |