"Gluttony" by Howard Shore had its release date on September 22, 1995. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Seven: Complete Original Score (Collector's Edition)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Gluttony is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gluttony by Howard Shore having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Avarice | Hans Zimmer, The Lyndhurst Orchestra, Gavin Greenaway | D Minor | 2 | 7A | 127 BPM | ||
| In Hidden Mountains | Lustmord | B Minor | 2 | 10A | 80 BPM | ||
| Tie Him Up | Adrian Johnston | C Minor | 1 | 5A | 63 BPM | ||
| Portents of Doom | Lustmord | G Minor | 2 | 6A | 79 BPM | ||
| Terminator Arrival / Reese Chased / Sarah on Motorbike | Brad Fiedel | G Minor | 2 | 6A | 79 BPM | ||
| Goodbye To Jess | The Prestige | E Major | 0 | 12B | 77 BPM | ||
| Monkeys | Alexandre Desplat | A♭ Major | 0 | 4B | 144 BPM | ||
| The Finale - From "The Fly" | Howard Shore | F Minor | 1 | 4A | 137 BPM | ||
| Belvedere, Ohio | Howard Shore, Münchner Symphoniker | A Minor | 1 | 8A | 75 BPM | ||
| The Prestige | The Prestige | A Major | 2 | 11B | 79 BPM | ||
| Chevy Nova | Thomas Newman | G Major | 2 | 9B | 170 BPM | ||
| Monstrous Big | Thomas Newman | F Major | 1 | 7B | 157 BPM | ||
| Bombings | Alexandre Desplat | E♭ Major | 0 | 5B | 79 BPM | ||
| Caspar Laid Out | Carter Burwell | C Major | 1 | 8B | 67 BPM | ||
| Collision | Marc Streitenfeld | D♭ Minor | 3 | 12A | 75 BPM | ||
| Oracle Cookies | Don Davis | B Major | 1 | 1B | 67 BPM | ||
| taped Occurrences | joseph bishara | F Major | 3 | 7B | 74 BPM | ||
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM | ||
| The Journal | The Prestige | A Minor | 0 | 8A | 98 BPM | ||
| Hålsingland | Bobby Krlic | B Major | 2 | 1B | 141 BPM | ||
| Predator Instinct | Sarah Schachner | E Minor | 0 | 9A | 80 BPM | ||
| Ripley's Rescue | James Horner, London Symphony Orchestra | D♭ Major | 8 | 3B | 144 BPM | ||
| Irrevocable | Atli Örvarsson | D♭ Major | 2 | 3B | 79 BPM | ||
| Hydrophobia | Adrian Johnston | C Minor | 1 | 5A | 63 BPM | ||
| Thank You | Sara Baghirova, Sara Bag | B♭ Major | 1 | 6B | 80 BPM |