"We Were Eight" by James Barth had its release date on October 1, 2020. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 15 in Dream Themes by James Barth. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. We Were Eight is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of We Were Eight by James Barth is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| the barn owl | Mr. Parrot | B♭ Major | 1 | 6B | 63 BPM | ||
| At the Bar | James Barth | C Major | 4 | 8B | 85 BPM | ||
| Nocturne for Weightless Stone | Vireth Cadenz | B♭ Major | 1 | 6B | 63 BPM | ||
| Koeien | Caro Konrad, Caro Knd | C Major | 0 | 8B | 80 BPM | ||
| Brain Fog | James Barth | D Major | 4 | 10B | 167 BPM | ||
| The Algorithm's Elegy | Christopher Greenberg | C Major | 1 | 8B | 120 BPM | ||
| Southern Swamp (Day) | Kassil | D♭ Major | 0 | 3B | 100 BPM | ||
| Burning | Stephor Shpandau | D♭ Minor | 0 | 12A | 140 BPM | ||
| strange village | blue lemon | F Major | 3 | 7B | 90 BPM | ||
| Punkte 1 | Sebastian Deufel | F♯ Minor | 6 | 11A | 171 BPM | ||
| Harmonies in Bloom | Valentina Rozgova | A Minor | 0 | 8A | 104 BPM | ||
| Promociones | Almas Paralelas | E♭ Major | 3 | 5B | 109 BPM | ||
| Sneaking Around | James Barth | C Minor | 2 | 5A | 120 BPM | ||
| Grim Orchestra: Symphony of Shadows | Dark Orchestral Music | D♭ Minor | 3 | 12A | 126 BPM | ||
| Creature | Casta | B♭ Major | 1 | 6B | 63 BPM | ||
| An Hour Without Shadows | Lunaris Vox | B♭ Major | 1 | 6B | 63 BPM | ||
| Whispers of the Abyss | Dark Orchestral Music | E Minor | 0 | 9A | 208 BPM | ||
| the oath of heaven | blue lemon | A Major | 4 | 11B | 132 BPM | ||
| Distant Thunder | nico marr | A Minor | 1 | 8A | 117 BPM | ||
| On the Go | Evgeniy Petrov, Ferro | D Major | 0 | 10B | 136 BPM | ||
| Shousetsu | Zephyra | C Major | 6 | 8B | 122 BPM | ||
| Twilight Lamentations | Dark Orchestral Music | D Minor | 0 | 7A | 104 BPM | ||
| The Return to Laticia | Vighnesh Maharaj Peters | A Minor | 2 | 8A | 116 BPM | ||
| Walking On The Sun | David Izna | B♭ Major | 1 | 6B | 63 BPM | ||
| Isolate | Caro Konrad, Caro Knd | F Minor | 3 | 4A | 66 BPM |