Trey Lewis's ' "My Ex Came Over" was released on its scheduled release date, July 22, 2022. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. My Ex Came Over's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in My Ex Came Over and no other songs are present in the album, we classify this track as a single. Based on our statistics, My Ex Came Over's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of My Ex Came Over by Trey Lewis to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mostly Stoned | Tim Montana | B Major | 9 | 1B | 106 BPM | ||
| Love You Back To Me | Sean Stemaly | C Minor | 8 | 5A | 118 BPM | ||
| The Woman Behind the Music | Trey Lewis | C Major | 6 | 8B | 132 BPM | ||
| Midnight On A Map Dot | Derek Austin | F Major | 4 | 7B | 76 BPM | ||
| Outlaw Angel | Joey Greer | F Minor | 9 | 4A | 164 BPM | ||
| Hood of That Car | Corey Kent | D Major | 6 | 10B | 158 BPM | ||
| Never Change | Rvshvd | B Major | 7 | 1B | 134 BPM | ||
| Already Gone | Jason Cross | E Minor | 3 | 9A | 110 BPM | ||
| How It Oughta Be | Shane Profitt | A♭ Major | 6 | 4B | 85 BPM | ||
| Nashville Or Nothing | Steven Lee Olsen | B Major | 7 | 1B | 128 BPM | ||
| Hitting Your Friends Up | Cooper Alan | E Major | 8 | 12B | 113 BPM | ||
| here lies country music | HARDY | G Major | 7 | 9B | 73 BPM | ||
| Hank Crankin' People | Tyler Booth | G Major | 6 | 9B | 145 BPM | ||
| Missin' Mississippi | Paxton Peay | C Major | 7 | 8B | 118 BPM | ||
| We Had It Good | Chase Matthew | E Minor | 8 | 9A | 120 BPM | ||
| Good Ol' Boys | Hayden Coffman | D Major | 9 | 10B | 88 BPM | ||
| Somethin' I Ain't | Isaac Harris | F♯ Major | 8 | 2B | 105 BPM | ||
| Southern Summer Nights | Chandler Roberts | F Major | 5 | 7B | 140 BPM | ||
| Right Girl | Dylan Schneider | A♭ Major | 8 | 4B | 80 BPM | ||
| Close That Tab | Adam Doleac | G Major | 5 | 9B | 95 BPM | ||
| Don't Give A Truck | Travis Denning | E Major | 7 | 12B | 74 BPM | ||
| Water & Beer | Trea Landon | B Major | 8 | 1B | 76 BPM | ||
| I'll Keep the Country | Dylan Marlowe | D♭ Major | 8 | 3B | 130 BPM | ||
| Hey Maker | Mason Horne, Heath Sanders | G Major | 7 | 9B | 78 BPM | ||
| A Guy Like Me | Tim Montana | F♯ Major | 9 | 2B | 140 BPM |