"Токката и Фуга ре минор, BWV 565 (ар. К. Таузиг)" by Иоганн Себастьян Бах, Лев Власенко, Владимир Вербицкий, Gennady Rozhdestvensky, Государственный академический симфонический оркестр СССР, Симфонический оркестр Министерства культуры СССР had its release date on May 13, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Корифеи фортепианного искусства XX века. Том 2, so we believe that "Токката и Фуга ре минор, BWV 565 (ар. К. Таузиг)" is a single. Based on our statistics, Токката и Фуга ре минор, BWV 565 (ар. К. Таузиг)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Токката и Фуга ре минор, BWV 565 (ар. К. Таузиг) by Иоганн Себастьян Бах, Лев Власенко, Владимир Вербицкий, Gennady Rozhdestvensky, Государственный академический симфонический оркестр СССР, Симфонический оркестр Министерства культуры СССР is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duma | Modest Mussorgsky, Maria Yudina | E♭ Major | 0 | 5B | 168 BPM | ||
| 24 Preludes and Fugues Op. 87: No. 3, in G Major: Fugue | Dmitri Shostakovich, Yulianna Avdeeva | A Minor | 3 | 8A | 156 BPM | ||
| 12 Recorder Sonatas, Op. 2, No. 12 in D Major: IV. Largo | Benedetto Marcello, Accademia Hermans, Fabio Ceccarelli, Alessandra Montani, Gabriele Palomba, Fabio Ciofini | B♭ Minor | 2 | 3A | 64 BPM | ||
| Suite No. 2 in G Minor, Z. 661: I. Prelude - Live | Henry Purcell, Grigory Sokolov | G Minor | 3 | 6A | 99 BPM | ||
| Suite on Romanian Themes IV. Danza for Marimba, Vibraphone & Piano | Maya Badian, Mircea Badian | B♭ Minor | 4 | 3A | 132 BPM | ||
| Triosonate No. 4 E-Moll, BWV 528 - Adagio, Vivace | Иоганн Себастьян Бах, Атис Степиньш (орган Домского собора г.Риги) | E Minor | 2 | 9A | 168 BPM | ||
| Partita II in do menore : Andante elegiaco | Lazar Berman | C Minor | 1 | 5A | 97 BPM | ||
| Allegro in D Major, Wq. 116/25 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 0 | 11B | 79 BPM | ||
| Pièces de clavecin, Livre IV, Ordre 21: II. La Bondissante | François Couperin, Angela Hewitt | B Minor | 1 | 10A | 94 BPM | ||
| Suite No. 3: Bourrees I & II | Suren Bagratuni | G Major | 1 | 9B | 91 BPM | ||
| Goldberg Variations, BWV 988: Variation No. 3 | Johann Sebastian Bach, Grigory Sokolov | A Minor | 7 | 8A | 125 BPM | ||
| Symphonic Etudes, Op. 13: Variation VII (1852) | Robert Schumann, Paolo Ceccarini | D♭ Major | 2 | 3B | 143 BPM | ||
| Prelude in C Minor | Ignaz Tastierewitz | C Minor | 3 | 5A | 67 BPM | ||
| Ave Maria | Иоганн Себастьян Бах, Bernhard Jarvis | G Major | 1 | 9B | 130 BPM | ||
| Gavotte | Mona Mcburney, Jeanell Carrigan | D Major | 1 | 10B | 72 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.24 in B minor BWV869 | Daniel Barenboim | D Major | 0 | 10B | 108 BPM | ||
| Sonata in A Major K.429 - Duo-Art 68030 -1- | Alessandro Scarlatti, Alfred Kugel, Peter Phillips | B♭ Major | 1 | 6B | 119 BPM | ||
| 12 Caprices, Op. 25: No. 4 in D Minor - Allegretto | Alfredo Piatti, Antonio Meneses | D Minor | 0 | 7A | 60 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 3 in C sharp major, BWV 848 | Luc Beauséjour | C Major | 5 | 8B | 87 BPM | ||
| Overture in G minor, BWV 822: Gavotte en Rondeau | Ivo Janssen | G Minor | 3 | 6A | 97 BPM | ||
| Sonatas For Harpsichord (Miscellaneous) - Edited By R. Kirkpatrick: Sonata In D, K.436: Allegro | Domenico Scarlatti, Ralph Kirkpatrick | B Major | 1 | 1B | 111 BPM | ||
| Whiskers in Bloom | Whispurr | G Major | 1 | 9B | 84 BPM | ||
| Mozart - Piano Sonata No.10 in C major, K.330 300h, 2 Andante cantabile | Mozart, PSMmusic | E♭ Major | 1 | 5B | 114 BPM | ||
| Страсти по Матфею, BWV 244: Ария альта "Erbarme Dich" | Иоганн Себастьян Бах, Валентина Левко, Ансамбль солистов оркестра Большого театра СССР | E Minor | 1 | 9A | 87 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48 (Arr. for Piano by Peter Breiner): II. Valse. Moderato. Tempo di valse | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM |