"還る場所" by Naoki Sato had its release date on December 18, 2013. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There is only one song in 「永遠の0」 オリジナル・サウンドトラック, so we believe that "還る場所" is a single. In terms of popularity, 還る場所 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 還る場所 by Naoki Sato is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rockwell's Diary 1 | Gareth Coker | E Minor | 3 | 9A | 75 BPM | ||
| 日曜決戦 | Yoshihiro Ike | F Major | 3 | 7B | 153 BPM | ||
| Arriving at the Island | Paul Leonard-Morgan | A♭ Major | 2 | 4B | 58 BPM | ||
| 92nd time | Yasuhiro Maeda | E Minor | 3 | 9A | 75 BPM | ||
| The Hyperspace Jump | Kevin Kiner | F♯ Minor | 4 | 11A | 100 BPM | ||
| 藍色のリボン | Yu Takami | B Minor | 1 | 10A | 104 BPM | ||
| 祈り | 陣内一真 | A Major | 2 | 11B | 78 BPM | ||
| Osaka Castle | Atticus Ross, Leopold Ross, Nick Chuba | A Major | 5 | 11B | 70 BPM | ||
| 致敬 (《风过留痕》影视剧配乐) | 诗和远方 | E Minor | 3 | 9A | 75 BPM | ||
| Castles and Cobblestone | Evan Call | E Minor | 3 | 9A | 75 BPM | ||
| 旅の幕開け | Kenichiro Suehiro | A Minor | 7 | 8A | 130 BPM | ||
| Situation | Naoki Sato | C Major | 3 | 8B | 192 BPM | ||
| 日曜劇場「ラストマン」メインテーマ ORIGINAL COVER INST Ver.ORIGINAL COVER INST Ver. | NIYARI計画 | A♭ Major | 5 | 4B | 80 BPM | ||
| カランコロンのうた -鬼太郎誕生- | 川井憲次 | A Minor | 1 | 8A | 67 BPM | ||
| The Phantom of Myself - Instrumental | Punishing Gray Raven, Vanguard Sound, D.Yi | E Minor | 3 | 9A | 75 BPM | ||
| 最高の教師 | Akihiko Matsumoto | A Minor | 5 | 8A | 181 BPM | ||
| VIVANT | Akira Senju | A Minor | 6 | 8A | 146 BPM | ||
| 坂東武者 ~兵どもが思う~ | Evan Call | F Major | 3 | 7B | 76 BPM | ||
| べらぼう~蔦重栄華乃夢噺~ メインテーマ Glorious Edo - 2025 Live Version | 広上淳一, NHK Symphony Orchestra | G Major | 2 | 9B | 84 BPM | ||
| A Season Ends | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
| SPIRIT | Toshihiko Sahashi | C Major | 2 | 8B | 90 BPM | ||
| SF交響ファンタジー第1番(1983) 「宇宙大戦争」戦争シーン | 伊福部昭, 広上淳一, Japan Philharmonic Orchestra | A Minor | 7 | 8A | 136 BPM | ||
| 「花燃ゆ」 ORIGINAL COVER | NIYARI計画 | D♭ Minor | 6 | 12A | 110 BPM | ||
| Ground Zero | Keishi Hirano | G Major | 0 | 9B | 151 BPM | ||
| Advance | Naoki Sato | D Minor | 4 | 7A | 88 BPM |