"It Might As Well Be Spring" by Bill Charlap had its release date on January 1, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bill Charlap's "Love Is Here To Stay" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. It Might As Well Be Spring is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of It Might As Well Be Spring by Bill Charlap to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stardust | Jon Gordon, Bill Charlap | D♭ Major | 1 | 3B | 140 BPM | ||
| Come What May | Joshua Redman Quartet | B♭ Minor | 2 | 3A | 135 BPM | ||
| The Folks Who Live on the Hill | Joshua Redman | C Major | 3 | 8B | 123 BPM | ||
| You leave me breathless | Grant Stewart, Joe Cohn, Bill Charlap, Paul Gill, Willie Jones III | C Minor | 4 | 5A | 123 BPM | ||
| Simplicity | Edward Simon | D Major | 1 | 10B | 91 BPM | ||
| Gee Baby, Ain't I Good to You | Byron Stripling, Wycliffe Gordon, Frank Wess, Bill Charlap | D♭ Major | 4 | 3B | 102 BPM | ||
| Where Are You? | The Ben Webster Quintet | G Major | 3 | 9B | 129 BPM | ||
| On a Clear Day (You Can See Forever) | James Jackson Jazz Trio | G Major | 2 | 9B | 109 BPM | ||
| Clouds | Portraits in Jazz, Nikolaj Hess, Claus Waidtløw | B♭ Major | 2 | 6B | 79 BPM | ||
| Warm Valley | Johnny Hodges | F Major | 2 | 7B | 93 BPM | ||
| I Could Write A Book | Kenny Drew Trio | G Minor | 2 | 6A | 148 BPM | ||
| Before It's Time to Say Goodbye | Kenny Garrett | D♭ Major | 1 | 3B | 118 BPM | ||
| Too Late For Tears | Steve Gilmore, Bill Charlap, Steve Brown | D Major | 0 | 10B | 80 BPM | ||
| If you could see me now | Astoria Three | A♭ Major | 1 | 4B | 114 BPM | ||
| Deep In A Dream | Hank Mobley, Sonny Clark | B♭ Major | 1 | 6B | 98 BPM | ||
| I Guess I'll Have to Forget | Christian McBride Trio | B♭ Major | 1 | 6B | 131 BPM | ||
| Blue Moon | Kendrettes | A♭ Major | 2 | 4B | 90 BPM | ||
| Artfully | The European Jazz Piano Trio, Bill Charlap, Stephen Keogh, Mark Hodgson | A Minor | 1 | 8A | 138 BPM | ||
| Soon | Warren Vaché, Bill Charlap | A♭ Major | 1 | 4B | 120 BPM | ||
| It's you isn't it | Ruben Haag | A♭ Major | 2 | 4B | 121 BPM | ||
| Dancing In The Dark | Bill Charlap, Renee Rosnes | E♭ Major | 3 | 5B | 95 BPM | ||
| Song for Paris | SE-Quartet, David Ehrlin, Rasmus H Thomsen, Antti Ojala, Martin Sundström | G Major | 1 | 9B | 98 BPM | ||
| The Nearness of You | Massimo Faraò, Byron Wookie Landham, John Webber | E♭ Major | 1 | 5B | 122 BPM | ||
| Last Ride Home | Magnus Ringblom Quartet | G Major | 1 | 9B | 90 BPM | ||
| Dinner for One Please, James | Branford Marsalis Quartet | A♭ Major | 1 | 4B | 102 BPM |