On March 23, 2004, the song "Ajmal Ji Ra Kanvra Mari Nidra Hare" was released by Rajkumar Swami. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 9 in Baba Ramdev Ji Bhajan by Rajkumar Swami. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Ajmal Ji Ra Kanvra Mari Nidra Hare is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ajmal Ji Ra Kanvra Mari Nidra Hare by Rajkumar Swami is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mori Akal Gai Mari | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM | ||
| Ja Ja ke Raduaa | Jaysingh raja, Doli Rajpoot | A♭ Minor | 4 | 1A | 96 BPM | ||
| Lagelu Jhakas Goriya | Manish Samrat | F Minor | 8 | 4A | 80 BPM | ||
| Savti Na Apnaayib | Vishnu Ojha | F Minor | 5 | 4A | 138 BPM | ||
| Ka Ham Chali Ye Sasu Anchal Sambhal Ke | Karina Panday, Sovita Pandey | E♭ Major | 9 | 5B | 173 BPM | ||
| Dard Judai Da | Major Rajasthani | C Minor | 4 | 5A | 76 BPM | ||
| Sar Samale | Bhai Balwinder Singh Rangila | A♭ Major | 8 | 4B | 124 BPM | ||
| Mandir Jaati Meera Ne | Rajkumar Swami | B Minor | 8 | 10A | 160 BPM | ||
| Mundila Nayanwa Ta Lauke | Madan Rai | F♯ Major | 4 | 2B | 147 BPM | ||
| Mohan Aavo To Sahi | Raj Kumar Swami | C Major | 5 | 8B | 87 BPM | ||
| Sanwara Aao to Khari | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | A♭ Major | 8 | 4B | 99 BPM | ||
| Bhira Ramdev Re Bai Ne Ekar | Rajkumar Swami | A Major | 8 | 11B | 102 BPM | ||
| Kahaanwa Udh Udh Jali Chiraiya | Gopal Rai | E♭ Minor | 5 | 2A | 147 BPM | ||
| Kali Ban Ke Ayilu | Bechan Ram Rajbhar | F Minor | 6 | 4A | 144 BPM | ||
| Ghareeb Hui Zaror Par Ajeeb Chokri Hui | Rajab Faqeer | A♭ Major | 8 | 4B | 164 BPM | ||
| Banno Mharo Char Bhuja Ro Nath | Sukhdev Bharti | A♭ Major | 8 | 4B | 122 BPM | ||
| Mera Khalaka Bhari De Anand Ka | Raghuram Dudharejiya | G Major | 10 | 9B | 111 BPM | ||
| Hujur Aate Aate Bahut Der Kar Di | Dhiraj Kant | E Major | 8 | 12B | 162 BPM | ||
| Thir Ghar Baiso | Bhai Simranjit Singh, North Kirtan Studio | F♯ Major | 5 | 2B | 144 BPM | ||
| Papan Di Kachari | Nachhatar Gill | B Major | 9 | 1B | 87 BPM | ||
| Surta Din Das Pivriye Me Aai Piya N Kiya Bhul Gai | Rajkumar Swami | A Major | 5 | 11B | 83 BPM | ||
| Jai Goga Ji Maharaaj | Ramavtar Sharma | B♭ Major | 5 | 6B | 120 BPM | ||
| Ganja Pike Raja Chadhaiba Kaise Jal | Ujala Yadav | G Major | 9 | 9B | 75 BPM | ||
| Soi Ramdas Gur | Bhai Saroop Singh ji Roop (Hazoori Ragi Sri Darbar Sahib) | C Minor | 5 | 5A | 131 BPM | ||
| Utho Gori Magre Pe Bol Gayo Kauwa Bundeli | Deshraj Patairiya | D♭ Major | 7 | 3B | 138 BPM |