On January 5, 2002, the song "Barah Sala Di Lassiya" was released by Karnail Rana. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Phullaan Di Warkha Layi Babe Ne , Paunahaariya Dhoona Lagaya Peeplaan Heth , Paunahaari Jogi Ho Giya". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. The popularity of Barah Sala Di Lassiya is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Barah Sala Di Lassiya by Karnail Rana having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tere Mast Malanga Ne Dhoona Laya | Karnail Rana | B♭ Minor | 8 | 3A | 104 BPM | ||
| Lahar Lahar Lahraye Ho Jhanda Bajrangbali Ka Bundeli Hanuman Bhajan | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 87 BPM | ||
| Mara Ghar Ka Tala Konchi Sanvra Thara Haat Hai | Gokul Sharma | F♯ Major | 9 | 2B | 170 BPM | ||
| Naam Jap Le Nimaniye Jinde Ke Aukhe Vele Kaam Aavega | Hita Ambrish | F♯ Minor | 7 | 11A | 126 BPM | ||
| Babe Deya Bhagta | Karnail Rana, Neetu Bhalla | A♭ Major | 6 | 4B | 82 BPM | ||
| Girnari Ke Shaher Me | Gopal Sadhu, Mayur Dave, Raj Gadhvi | F Minor | 9 | 4A | 124 BPM | ||
| Charkha Pare Hata Le Ree | Pt. Gyanendra Sharma | F♯ Major | 5 | 2B | 80 BPM | ||
| Radha Rani Ki Kirpa | Chitra Vichitra Ji Maharaj | B♭ Minor | 9 | 3A | 140 BPM | ||
| Shiv Ki Jata Se | Lakhbir Singh Lakha | D♭ Major | 5 | 3B | 89 BPM | ||
| Do Deewane Pyar Ke | Dinesh Nagar | D♭ Minor | 6 | 12A | 82 BPM | ||
| Jyot pe Jhum Rahi maa Sheetla Seth Masani | Mukesh Sharma | F Minor | 9 | 4A | 88 BPM | ||
| Darshan De Do Baba Ji | Pammi Thakur | F♯ Major | 9 | 2B | 94 BPM | ||
| Mujhe Tumne Data Sab Kuch Dia Hai Tera Shukriya Hai | Mridul Krishan Shastri | A♭ Minor | 8 | 1A | 86 BPM | ||
| Shyam Sapno Mein Aata Kyun Nahi | Manoj Sharma Gwalior | G Major | 9 | 9B | 103 BPM | ||
| Mataji Kathe Re Soya | Kishore Paliwal, Harsh Mali | F♯ Major | 8 | 2B | 90 BPM | ||
| Tera Khub Sajaya Darbar Ma Kali | Mukesh Sharma | E♭ Major | 10 | 5B | 128 BPM | ||
| Neele Ghode Ki Sawari Kare Baba Mohan Ram | Gyanender Sardhana | G Minor | 10 | 6A | 135 BPM | ||
| Bhajlo Dadaji ka Naam | Om Prakesh Tirole | D♭ Major | 4 | 3B | 86 BPM | ||
| AAYA BABA TERA SAWAN MAHINA | Ashu Verma | D Major | 8 | 10B | 145 BPM | ||
| Jogi Faqeer Ho Chaleya | Pammi Thakur | G Major | 9 | 9B | 115 BPM | ||
| Bolti Hai Murti | Raj Pareek | G Major | 8 | 9B | 83 BPM | ||
| sheetla maiya tera roj ratun sun naam | Mukesh Sharma | A♭ Major | 9 | 4B | 132 BPM | ||
| Tu Radhe Radhe Bol Zara | Chitra Vichitra ji | D♭ Minor | 9 | 12A | 174 BPM | ||
| Tamam Umar Taraste Rahe | Dilshad Zakhmi | B Minor | 8 | 10A | 81 BPM | ||
| Dakhe ri tera beta bulawe ri | Ma.Rajphool Kuchrania | D♭ Minor | 7 | 12A | 148 BPM |