Piotr Wiese's 'The Day She Left' had a release date set for September 16, 2022. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. The Day She Left's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 3 in Coming Home by Piotr Wiese. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, The Day She Left is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Day She Left by Piotr Wiese is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Things Untold | Adrián Úlfur | F Major | 0 | 7B | 69 BPM | ||
| Natsukashii | Hakone | E Minor | 2 | 9A | 111 BPM | ||
| Dream Away | Melody of Sound | D Major | 0 | 10B | 72 BPM | ||
| Seaton Village | Sarah Spring | A♭ Major | 1 | 4B | 120 BPM | ||
| Raindrops | Cameron Segal | E♭ Major | 1 | 5B | 111 BPM | ||
| Creases | Bernie Rosa | D Minor | 0 | 7A | 117 BPM | ||
| Falling | Piotr Wiese | E Minor | 1 | 9A | 192 BPM | ||
| 1944 | Daniel Schrage | B Major | 0 | 1B | 52 BPM | ||
| Vorfreude | Jozef De Schutter | C Major | 0 | 8B | 135 BPM | ||
| Not meant to be | Jon Albreit | E♭ Major | 0 | 5B | 117 BPM | ||
| Laredo | Davignon | D♭ Minor | 2 | 12A | 75 BPM | ||
| When you were near | Isabella Morales | C Major | 0 | 8B | 69 BPM | ||
| S´embrassant | Petit Lilou | A♭ Major | 1 | 4B | 118 BPM | ||
| Silent Memories | Ash Forrest | F Major | 0 | 7B | 100 BPM | ||
| You've awakened me | Kathrin Holtz | G Major | 0 | 9B | 79 BPM | ||
| Un Regard | Jonathan L'Espérance | G Minor | 0 | 6A | 129 BPM | ||
| Waltz for Dreamers | Javi Lobe | C Major | 0 | 8B | 73 BPM | ||
| Summer Nocturne | Anders Lundgaard | F Minor | 0 | 4A | 78 BPM | ||
| Escallonia | Rory Lewis | D Major | 0 | 10B | 100 BPM | ||
| Moonlit Waltz | Javier Escudero | E Minor | 0 | 9A | 92 BPM | ||
| But A Whisper | Vaughn Harrison | E♭ Major | 0 | 5B | 88 BPM | ||
| Illuminate The Night | Antoine Di Luzio | A♭ Major | 0 | 4B | 55 BPM | ||
| Cygne Noir | North Connolly | C Minor | 1 | 5A | 72 BPM | ||
| Contemplation I | Piotr Wiese | D Minor | 1 | 7A | 138 BPM | ||
| Adagio Cantabile | Jacob Hall | A♭ Major | 0 | 4B | 73 BPM |