Chilly Gonzales's 'White Keys' had a release date set for August 22, 2012. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Solo Piano II". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, White Keys is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With White Keys by Chilly Gonzales having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berceuse sur le nom de Gabriel Fauré, M. 74 | Maurice Ravel, Sarah Nemtanu, Chilly Gonzales | E Minor | 1 | 9A | 84 BPM | ||
| Electric Counterpoint: III. Fast | Steve Reich, Pat Metheny | G Major | 3 | 9B | 128 BPM | ||
| Black Sands | Bonobo | C Minor | 5 | 5A | 88 BPM | ||
| Valtameri | Oskar Schuster | F Major | 3 | 7B | 90 BPM | ||
| The Fall | Yann Tiersen | G Major | 3 | 9B | 102 BPM | ||
| Dream 13 (minus even) | Max Richter, Clarice Jensen, Ben Russell, Yuki Numata Resnick | F♯ Major | 0 | 2B | 73 BPM | ||
| Iris | Wim Mertens | B Minor | 3 | 10A | 89 BPM | ||
| Dreamy | Hania Rani | F Minor | 1 | 4A | 60 BPM | ||
| Close Cover | Wim Mertens | E Major | 1 | 12B | 108 BPM | ||
| Remembering | Avishai Cohen | A Minor | 4 | 8A | 176 BPM | ||
| In A Landscape | John Cage, Francesco Tristano | D Minor | 0 | 7A | 78 BPM | ||
| Advantage Points | Chilly Gonzales | B Major | 2 | 1B | 132 BPM | ||
| Said and Done | Nils Frahm | B Major | 6 | 1B | 143 BPM | ||
| Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM | ||
| Infra 5 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | F♯ Minor | 3 | 11A | 81 BPM | ||
| GOL | Martin Kohlstedt | D♭ Major | 1 | 3B | 92 BPM | ||
| Bibo no Aozora - Instrumental | Ryuichi Sakamoto, Jaques Morelenbaum, Judy Kang | C Major | 1 | 8B | 79 BPM | ||
| C.M. Blues | Chilly Gonzales | C Minor | 0 | 5A | 43 BPM | ||
| L'Origine Nascosta | Ludovico Einaudi | D Minor | 0 | 7A | 67 BPM | ||
| Circle Song | Francesco Tristano | C Major | 2 | 8B | 139 BPM | ||
| DNA | Akira Kosemura | D Major | 3 | 10B | 152 BPM | ||
| Wanderlust | Joep Beving | D Minor | 0 | 7A | 130 BPM | ||
| Polish Lullaby | Chapelier Fou | F Major | 6 | 7B | 100 BPM | ||
| Bibo no Aozora | Ryuichi Sakamoto | A Minor | 1 | 8A | 140 BPM | ||
| Vladimir's Blues | Max Richter | A Major | 2 | 11B | 115 BPM |