"How Firm A Foundation" by Jay R. Powell had its release date on May 18, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jay R. Powell's "Lost No More" album is number 9 out of 12. On top of that, United States appears to be the country where this track was created. How Firm A Foundation is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of How Firm A Foundation by Jay R. Powell to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| As Now We Take the Sacrament | Brian Daw | E♭ Major | 0 | 5B | 72 BPM | ||
| Come, Come, Ye Saints | Brigham Welch, Michael Hardey | C Major | 1 | 8B | 73 BPM | ||
| Each Life That Touches Ours For Good | Jay R. Powell | B♭ Major | 1 | 6B | 86 BPM | ||
| Come Thou Fount | Michael R. Hicks | E♭ Major | 2 | 5B | 148 BPM | ||
| Jesus, the Very Thought of Thee | Brigham Welch, Michael Hardey | C Major | 0 | 8B | 136 BPM | ||
| Road Less Traveled | David Bauer | C Major | 1 | 8B | 73 BPM | ||
| It Is Well With My Soul | Jeff Bjorck | C Major | 2 | 8B | 135 BPM | ||
| Baptism Hymn | Jon Schmidt | G Major | 0 | 9B | 108 BPM | ||
| Hear Us, Heavenly Father | The London National Philharmonic Orchestra. Arranged and Conducted By Lex De Azevedo. | B♭ Major | 2 | 6B | 114 BPM | ||
| Holy, Holy, Holy | Christi Stills | C Major | 1 | 8B | 101 BPM | ||
| Sacred Head Wounded / Power of the Cross / There Is a Fountain | David Carnes | C Major | 0 | 8B | 108 BPM | ||
| The Old Rugged Cross / Brahm's Lullaby | Ryan Swedberg | G Major | 1 | 9B | 114 BPM | ||
| Last Jerusalem Sunset | Michael R. Hicks | E♭ Major | 0 | 5B | 138 BPM | ||
| Love At Home | Sherrie Shepherd | G Major | 0 | 9B | 79 BPM | ||
| Nearer Dear Savior to Thee | Chad Woolner | E♭ Major | 2 | 5B | 176 BPM | ||
| Be Thou My Vision | Forrest Wakeman | G Major | 2 | 9B | 106 BPM | ||
| His Name Is Wonderful | Phillip Keveren & Anthony LaMarchina | F Major | 0 | 7B | 66 BPM | ||
| If You Could Hie to Kolob | Jonathan Keith | D♭ Minor | 3 | 12A | 109 BPM | ||
| Glory to God On High | Paul Cardall | G Major | 1 | 9B | 81 BPM | ||
| Abide With Me; 'Tis Eventide/ Abide With Me | Todd McCabe & April Moriarty | E♭ Major | 1 | 5B | 180 BPM | ||
| Jesus of Nazareth, Savior and King | Ryan Tilby | C Major | 2 | 8B | 126 BPM | ||
| Teach Me to Walk in the Light | Anne-Marie Hildebrandt | D Major | 3 | 10B | 88 BPM | ||
| 하늘 가는 밝은 길이 The Bright, Heavenly Way | 노안나 Anna Noh, 문재원 James Jae-Won Moon | A♭ Major | 2 | 4B | 139 BPM | ||
| Oh Say, What Is Truth? | Ellen Knowles Melling, Reid Nibley | E Minor | 1 | 9A | 71 BPM | ||
| Star of the County Down | Mackenzie Tolk | C Minor | 2 | 5A | 132 BPM |