Koshinder Khadana, Rishipal's ' "Ho Gaye Son Kuson" was released on its scheduled release date, November 21, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Koshinder Khadana's "Kissa Harishchandra Vol 1" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Ho Gaye Son Kuson's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ho Gaye Son Kuson by Koshinder Khadana, Rishipal to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ham Chale Pardesh Gori Yaad Rakhna | Champe Khan | C Major | 9 | 8B | 112 BPM | ||
| Mehandi Rang Lago | Ray Chand, Champa Methi | C Major | 9 | 8B | 100 BPM | ||
| बाबा रामदेव जी देशी भजन | Bhoma Ram Panwar | G Major | 7 | 9B | 125 BPM | ||
| Main Baithi Baithi Japu Su | Narendra Kaushik | F♯ Minor | 8 | 11A | 94 BPM | ||
| Main Na Bhulunga | Narender Kaushik | G Major | 10 | 9B | 150 BPM | ||
| Samadhi Samadhin Mukabala - Hindi | Lata Shastri, Naresh Gurjar | G Minor | 9 | 6A | 129 BPM | ||
| Jhedar Lokgeet | Kheta Khan | D♭ Major | 7 | 3B | 120 BPM | ||
| Pahuncha De Saiya Mayke Bundeli | Malti Singh Parmar, Deshraj Patairiya | E♭ Major | 8 | 5B | 80 BPM | ||
| Gulri Ke Fulwa | Karina Pandey | F Major | 5 | 7B | 172 BPM | ||
| Jetha | Amarjeet Nagina, Kiranjoti | D♭ Major | 8 | 3B | 178 BPM | ||
| Hoi Ta Gayil Paanch Bar | Diwakar Dwivedi | F Minor | 7 | 4A | 92 BPM | ||
| Sube Uthiyo Manudo Gadi Chadiyo | Moti Khan | A♭ Major | 10 | 4B | 103 BPM | ||
| Akal Mari Gayi Tumhari Part 7 | Surjan chaitanya | G Major | 8 | 9B | 101 BPM | ||
| Gharaki Mari Paraso | Jaysingh raja, jyoti Kushvah | F♯ Minor | 7 | 11A | 160 BPM | ||
| Bhej Mati Panghat | Gopal Rai | A♭ Major | 6 | 4B | 170 BPM | ||
| Ram Bina Koi Dham Nahi | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | A♭ Major | 7 | 4B | 89 BPM | ||
| Aayile Ba Khabriya Jaibe | Madan Rai | F♯ Minor | 5 | 11A | 107 BPM | ||
| Rangaay Letu Bhauji | Vijay Lal Yadav, Anita Raaj | D Major | 7 | 10B | 75 BPM | ||
| Jaanila Maram Hum Khoobhee Tohaar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Moye Le Gaye Patari Me | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Edhi Sri Laxmi Narasimhuni Sannidhi | Akunuri Devayya | B Minor | 6 | 10A | 97 BPM | ||
| Apne Ghar Bulake Kisi Ka Maan Ghatana Thik Nahi | Koshinder Khadana | D Minor | 9 | 7A | 76 BPM | ||
| Bahe Jab Jab Purwaiya | Guddi Gilahari | F Minor | 7 | 4A | 133 BPM | ||
| Bade Bade Baila Panagar Mein Benche | Jitendar Khare, Laxmi Thakur | F♯ Minor | 8 | 11A | 133 BPM | ||
| Mere Ganehea Garbha Dea | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | G Minor | 7 | 6A | 148 BPM |